Location: The Variety Playhouse, Atlanta, GA
Supporting Act(s): Ari Hest
In The Company of: Chris
Review to follow...
Friday, March 21, 2008
85. LIAM FINN, 3/17/08
Location: The Five Spot, Atlanta, GA
Supporting: The Most Serene Republic and Miracle Fortress
In The Company of: myself
A Spirited Set
The cozy Five Spot in Atlanta’s Little Five Points was host to the Next Big Thing: Mr. Liam Finn. You may recognize the name because he is the firstborn of Neil Finn (Crowded House, Split Enz). Liam possesses the same excellent knack for songwriting and performing as his father, yet has mastered it at 24 years of age. He is also quite a frenetic performer on stage, a trait obviously passed down from uncle Tim Finn. Rolling Stone Magazine called him one of the ten new artists to watch in 2008. The Finn Dynasty seems to be alive and well.
Finn is on tour supporting his first solo release, “I’ll Be Lightning,” after splitting with his rock band Betchadupa. He played a six-song set at the Five Spot as the opener for The Most Serene Republic and Miracle Fortress. But tonight, it’s all about Liam.
Roughly 100 tickets were sold in advance, and several more fans arrived at show time. Finn began his 35-minute set with “Better To Be,” a bouncy track that seemed to awaken the crowd. He is as accomplished on the drums as he is on the guitar. And a fierce and exact player he is on both. Accompanied by the golden-voiced E-J Barnes (daughter of Australian rock legend Jimmy Barnes), Finn would play several chords of a song, record it to loop, then record a second and sometimes third loop. As these guitar solos were meshed together, he jumped on the drum kit and tore it up. Drumming at the speed of light – and sounding good – is a rare thing. He did the work of three or four musicians and had the sweat to prove it.
Next up was “Energy Spent,” which begins with a lovely acoustic guitar and jumpy drums. Then, after Finn and Barnes downed whiskey shots, he broke in to the “Jameson Jam.” This was apparently an ode to the just-swallowed shot. Finn is adept at this type of spontaneity and it occurred throughout his performance creating quite an excellent mood in the room.
Finn’s musical influences range from the Beatles to Elliott Smith. On the title track to “I’ll Be Lightning,” the case is made for the Beatles influence, with a combination of layered harmonies and building tempos strangely reminiscent of “A Day In The Life.”
Before the next song, a fan yelled out “Wise Man!” And Finn instantly began playing that very song…possibly the finest song on the album (“He’s a coloring book that’s been all colored in / what once was fun will later on be boring…”). Next up was the first single from “I’ll Be Lightning” which Finn also performed on Late Night with David Letterman last month, “Second Chance.” This is another selection that uses the guitar loops to set up a very rocking song once Finn jumps on the drums. Many in the crowd knew this song and were singing along.
After thanking Atlanta and more pleas for a whiskey, Finn ended the show with “Lead Balloon,” an all-out jam that was played full-tilt. The crowd got a taste of a creative songsmith who can play from the hip and do it extremely well. Finn must be somewhat familiar with the Little Five Points area. He played drums and guitar while on his father’s solo tour just down the street at the Variety Playhouse back in 1998 when he was only 14. He has definitely become his own person and quite an outstanding musician in his own right.
Supporting: The Most Serene Republic and Miracle Fortress
In The Company of: myself
A Spirited Set
The cozy Five Spot in Atlanta’s Little Five Points was host to the Next Big Thing: Mr. Liam Finn. You may recognize the name because he is the firstborn of Neil Finn (Crowded House, Split Enz). Liam possesses the same excellent knack for songwriting and performing as his father, yet has mastered it at 24 years of age. He is also quite a frenetic performer on stage, a trait obviously passed down from uncle Tim Finn. Rolling Stone Magazine called him one of the ten new artists to watch in 2008. The Finn Dynasty seems to be alive and well.
Finn is on tour supporting his first solo release, “I’ll Be Lightning,” after splitting with his rock band Betchadupa. He played a six-song set at the Five Spot as the opener for The Most Serene Republic and Miracle Fortress. But tonight, it’s all about Liam.
Roughly 100 tickets were sold in advance, and several more fans arrived at show time. Finn began his 35-minute set with “Better To Be,” a bouncy track that seemed to awaken the crowd. He is as accomplished on the drums as he is on the guitar. And a fierce and exact player he is on both. Accompanied by the golden-voiced E-J Barnes (daughter of Australian rock legend Jimmy Barnes), Finn would play several chords of a song, record it to loop, then record a second and sometimes third loop. As these guitar solos were meshed together, he jumped on the drum kit and tore it up. Drumming at the speed of light – and sounding good – is a rare thing. He did the work of three or four musicians and had the sweat to prove it.
Next up was “Energy Spent,” which begins with a lovely acoustic guitar and jumpy drums. Then, after Finn and Barnes downed whiskey shots, he broke in to the “Jameson Jam.” This was apparently an ode to the just-swallowed shot. Finn is adept at this type of spontaneity and it occurred throughout his performance creating quite an excellent mood in the room.
Finn’s musical influences range from the Beatles to Elliott Smith. On the title track to “I’ll Be Lightning,” the case is made for the Beatles influence, with a combination of layered harmonies and building tempos strangely reminiscent of “A Day In The Life.”
Before the next song, a fan yelled out “Wise Man!” And Finn instantly began playing that very song…possibly the finest song on the album (“He’s a coloring book that’s been all colored in / what once was fun will later on be boring…”). Next up was the first single from “I’ll Be Lightning” which Finn also performed on Late Night with David Letterman last month, “Second Chance.” This is another selection that uses the guitar loops to set up a very rocking song once Finn jumps on the drums. Many in the crowd knew this song and were singing along.
After thanking Atlanta and more pleas for a whiskey, Finn ended the show with “Lead Balloon,” an all-out jam that was played full-tilt. The crowd got a taste of a creative songsmith who can play from the hip and do it extremely well. Finn must be somewhat familiar with the Little Five Points area. He played drums and guitar while on his father’s solo tour just down the street at the Variety Playhouse back in 1998 when he was only 14. He has definitely become his own person and quite an outstanding musician in his own right.
84. THEY MIGHT BE GIANTS, 3/15/08
Location: The Variety Playhouse, Atlanta, GA
Supporting Act(s): none
In the Company of: Mi Familia
One look at the crowd on this Saturday afternoon inside Atlanta's Variety Playhouse would convince an onlooker that Barney was in town. Or the Wiggles. This could not be further from the truth. It was a special family show presented by the quirky
alternative rock group straight outta Brooklyn called They Might Be Giants.
Although John Flansburgh and John Linnell never expected to have such a young cult following during their formation back in the early eighties, it has happened. With a one-off, just-for-fun project in 2002 entitled "No!" they reached a demographic that very few rock groups ever consider reaching: the toddler to pre-teen crowd. TMBG pioneered the Dial-A-Song self-promotion in which listeners would call a number and hear a different song each time. This before any record deal was struck.
Since "No!" was released, TMBG has released two additional kid-oriented CD/DVD packages entitled "Here Come the ABCs" and "Here Come the 123s." Both have made the two Johns much richer and brought intelligent, grown-up style rock to the little people.
When attending a great concert, it is usually required to stand in order to see over the crowd in front. This was especially true due to the dozens of dads with kids on their shoulders. It was a sight to see and hear, with parents joyfully singing along to the same songs as their young-uns. In this election year, a truly bipartisan experience was unfolding.
Other songs which were aimed directly at the underage crowd were, “No!” “In The Middle, In The Middle, In The Middle,” and “I Am Not Your Broom,” accompanied by the comedy stylings of Homestar the puppet. TMBG also rocked out with “Alphabet of Nations,” “E Eats Everything,” and the awesome “Robot Parade.”
They also reached back into the stuff that made them famous which was a grand treat for all the parents. Songs like, “Birdhouse In Your Soul,” “Boss of Me” (better known as the theme from the TV show “Malcolm in the Middle”), and “Particle Man.” The band’s transition from adult alternative to accessible kids was not such a stretch. It was possibly brought about by their educationally-tinged material, which luckily was played at the show. Along with “Alphabet Of Nations,” they included the rocking “Why Does The Sun Shine? (The Sun Is A Mass Of Incandescent Gas)” and “Istanbul (Not Constantinople)” as the closer.
Towards the end of the performance, John and/or John informed the crowd that they were going to play their favorite song. It was “Doctor Worm,” a great selection that can hold its own against most pop songs out there. Another great one from the vault was the raucous, accordian-lead instrumental “The Famous Polka.”
Parents spend a lifetime trying to acquire and maintain that special bond with their children. An experience like a They Might Be Giants show is a perfect way to do it.
Supporting Act(s): none
In the Company of: Mi Familia
One look at the crowd on this Saturday afternoon inside Atlanta's Variety Playhouse would convince an onlooker that Barney was in town. Or the Wiggles. This could not be further from the truth. It was a special family show presented by the quirky
alternative rock group straight outta Brooklyn called They Might Be Giants.
Although John Flansburgh and John Linnell never expected to have such a young cult following during their formation back in the early eighties, it has happened. With a one-off, just-for-fun project in 2002 entitled "No!" they reached a demographic that very few rock groups ever consider reaching: the toddler to pre-teen crowd. TMBG pioneered the Dial-A-Song self-promotion in which listeners would call a number and hear a different song each time. This before any record deal was struck.
Since "No!" was released, TMBG has released two additional kid-oriented CD/DVD packages entitled "Here Come the ABCs" and "Here Come the 123s." Both have made the two Johns much richer and brought intelligent, grown-up style rock to the little people.
When attending a great concert, it is usually required to stand in order to see over the crowd in front. This was especially true due to the dozens of dads with kids on their shoulders. It was a sight to see and hear, with parents joyfully singing along to the same songs as their young-uns. In this election year, a truly bipartisan experience was unfolding.
Other songs which were aimed directly at the underage crowd were, “No!” “In The Middle, In The Middle, In The Middle,” and “I Am Not Your Broom,” accompanied by the comedy stylings of Homestar the puppet. TMBG also rocked out with “Alphabet of Nations,” “E Eats Everything,” and the awesome “Robot Parade.”
They also reached back into the stuff that made them famous which was a grand treat for all the parents. Songs like, “Birdhouse In Your Soul,” “Boss of Me” (better known as the theme from the TV show “Malcolm in the Middle”), and “Particle Man.” The band’s transition from adult alternative to accessible kids was not such a stretch. It was possibly brought about by their educationally-tinged material, which luckily was played at the show. Along with “Alphabet Of Nations,” they included the rocking “Why Does The Sun Shine? (The Sun Is A Mass Of Incandescent Gas)” and “Istanbul (Not Constantinople)” as the closer.
Towards the end of the performance, John and/or John informed the crowd that they were going to play their favorite song. It was “Doctor Worm,” a great selection that can hold its own against most pop songs out there. Another great one from the vault was the raucous, accordian-lead instrumental “The Famous Polka.”
Parents spend a lifetime trying to acquire and maintain that special bond with their children. An experience like a They Might Be Giants show is a perfect way to do it.
Saturday, March 8, 2008
Ten Years of the 'Big Lebowski'
The Dude Still Abides
Ever had one of those days when nothing went your way? This was the Dude’s life. At least during the now cult classic “The Big Lebowski.” In Joel and Ethan Coen’s unforgettable and oft-quoted tale of mistaken identity, Jeffrey “The Dude” Lebowski (Jeff Bridges) is beaten by a pair of idiot thugs who have mistaken him for the other Jeffrey Lebowski: the “Big” Lebowski (David Huddleston), a local millionaire. They are looking for his wife, Bunny (Tara Reid), who owes money to a lot of seedy characters. As one thug plunges the Dudes head into the toilet, he asks, “Where’s the money, Lebowski? Bunny says you’re good for it!” The other thug then proceeds to urinate on the Dude’s favorite rug, which is the impetus for the entire movie. The Dude asks the thugs, “Does this place look like I’m f***in’ married? The toilet seat’s up, man!” Clearly, they have the wrong man. Thus begins a journey for the Dude that includes stolen rugs, a severed toe, a lot of White Russians, and a lot more bowling.
The Dude pays a visit to the other Lebowski to get reimbursed for the peed-on rug. The rug that “really tied the room together.” The Big Lebowski wants to hear none of it. He writes the Dude off as a bum looking for a handout and bids him farewell. Later, though, he calls the Dude for help. Bunny has been kidnapped and he needs someone to deliver the million-dollar ransom, thinking Dude may recognize the carpet-peers. They know she’s been kidnapped because the kidnappers have sent the big Lebowski Bunny’s severed pinky toe, green polish and all.
The setting is Los Angeles, 1991. The Dude is a between-jobs slacker with nothing more to do than “…bowl, drive around, and take the occasional acid trip.” His buddies at the alley are Walter Sobchack (John Goodman), a Vietnam War veteran who would sooner kill someone than talk to them and uses a war reference for every situation, and Donny Kerabatsos (Steve Buscemi), who always seems one step behind the conversation and is told endlessly by Walter to “Shut the f*** up, Donny!”
A series of hilarious blunders ensue and there are more memorable moments and quotable lines than in most movies of recent memory. At one point, Walter loses it during a league game at the alley after his opponent crosses the foul line when rolling. When the opponent, Smokey, refuses to take a zero for the frame, Walter pulls out his pistol and points it in Smokey’s face saying, “Mark it zero! Has the whole world gone crazy?” On their way to the car (and as the police are arriving), Dude tells Walter just how shocking his behavior had been, that “those guys are pacifists, like me…Smokey was a conscientious objector!” He told Walter that Smokey had some emotional problems, to which Walter replied, “You mean beyond passivism?”
In a freaky turn, John Turturro plays creepy Latino bowling nemesis Jesus Quintana (pronounced Jesus). He reportedly did six months in prison for exposing himself to an 8-year-old. He continually tells Dude’s team, “I’m gonna f*** you up!” Turturro’s screen time is limited, but he makes a huge impression. In one of the movie’s most memorable scenes, Jesus does a dance to the Gipsy Kings’ Spanish version of the Eagles’ “Hotel California.”
That’s another thing…the F-bomb is dropped an estimated 260 times during “The Big Lebowski.” This may be more than some people can endure. A few critics at the time of release called the language unnecessary and only existing to fill the void where dialogue was missing. This, however, is not the case. One viewing will prove that each and every word in the script is necessary. Nothing should be added or omitted. During a scene in the bowling alley when Dude is talking to The Stranger, a cowboy played by Sam Elliott (Viewers are unsure as to the Stranger’s role in the film. Is he real? Is he a figment of the Dude’s imagination?), the Stranger says to the Dude, “There’s just one thing, Dude…you have to use so many cusswords?” To which the Dude responds, “…the f*** you talkin’ about?”
When German Nihilists get involved with the kidnapping plot, insanity is not far away. They continuously repeat, “We believe in nothing!” When they break into the Dude’s house while he’s bathing and begin to smash his stereo equipment, he yells, “Hey, this is a private residence, man!”
Julianne Moore plays Maude Lebowski, the Big Lebowski’s daughter and an avid feminist. She let’s the Dude know that her father is not really rich, that it was her mother who inherited all that money which has been put into a trust fund. When the Big Lebowski hires Dude to take a million dollars to the kidnappers, the suitcase is empty (he has kept it for himself), making Dude the pawn.
When the Nihilists finally “kill” the Dude’s car, Walter, Donny, and the Dude enter into fisticuffs with the Germans. During all the commotion, Donny suffers a fatal heart attack. When Walter and Dude have Donny cremated, they decide to spread his ashes into the ocean. When Walter opens the Folgers’ coffee can (this is all they could afford), the ashes blow into the Dude’s face, once again proving what a screw-up Walter is.
In the end, Walter’s theory that Bunny kidnapped herself proves to be true. She was never in danger and never lost her toe – that toe belonged to the girlfriend of one of the Nihilists.
The Coen brothers based the character of the Dude on their longtime friend Jeff Dowd. Dowd was a member of the Seattle Seven in the late sixties and early seventies. The group was a radical anti-Vietnam War organization in Seattle. The Dude even references this in the film, saying, “Did you ever hear of the Seattle Seven? That was me…and six other guys.”
Bridges gives the performance of his career, which could almost be autobiographical, as convincing as he is in the role of the Dude. The Coen brothers are at the top of their game as well, in the writing and direction. “The Big Lebowski” opened two years after their Oscar winner “Fargo,” and two years before another winner, “O Brother, Where Art Thou?” At this year’s Academy Awards, the Coens scored big, winning four statues including Best Picture and Best Direction for “No Country For Old Men.” They’ve definitely come a long way from their first feature “Blood Simple” in 1984. “Raising Arizona” has become another cult classic from the Coen brothers, complete with top-notch writing and left-of-center characters.
“The Big Lebowski” features a soundtrack to rival all soundtracks. The original score by Carter Burwell is mesmerizing and gives the movie much of its identity. T-Bone Burnett was the music bibliographer, and did a terrific job by including such artists as Bob Dylan, Kenny Rogers, Elvis Costello, and Moondog.
The movie had a lukewarm reception when it opened on March 6, 1998. The budget was $15 million and the movie made just over $17 million. While reviews were mixed, the true Coen brothers fans still appreciate the film’s intelligence and eccentric, twisted sense of humor. In 2002, fans began an annual ritual to honor “The Big Lebowski” with the Lebowski Fest in Louisville, Kentucky. The Fest has since expanded to several cities and the Dude lives on in the hearts and minds of slackers and movie buffs alike. Yes, the Dude definitely abides.
Ever had one of those days when nothing went your way? This was the Dude’s life. At least during the now cult classic “The Big Lebowski.” In Joel and Ethan Coen’s unforgettable and oft-quoted tale of mistaken identity, Jeffrey “The Dude” Lebowski (Jeff Bridges) is beaten by a pair of idiot thugs who have mistaken him for the other Jeffrey Lebowski: the “Big” Lebowski (David Huddleston), a local millionaire. They are looking for his wife, Bunny (Tara Reid), who owes money to a lot of seedy characters. As one thug plunges the Dudes head into the toilet, he asks, “Where’s the money, Lebowski? Bunny says you’re good for it!” The other thug then proceeds to urinate on the Dude’s favorite rug, which is the impetus for the entire movie. The Dude asks the thugs, “Does this place look like I’m f***in’ married? The toilet seat’s up, man!” Clearly, they have the wrong man. Thus begins a journey for the Dude that includes stolen rugs, a severed toe, a lot of White Russians, and a lot more bowling.
The Dude pays a visit to the other Lebowski to get reimbursed for the peed-on rug. The rug that “really tied the room together.” The Big Lebowski wants to hear none of it. He writes the Dude off as a bum looking for a handout and bids him farewell. Later, though, he calls the Dude for help. Bunny has been kidnapped and he needs someone to deliver the million-dollar ransom, thinking Dude may recognize the carpet-peers. They know she’s been kidnapped because the kidnappers have sent the big Lebowski Bunny’s severed pinky toe, green polish and all.
The setting is Los Angeles, 1991. The Dude is a between-jobs slacker with nothing more to do than “…bowl, drive around, and take the occasional acid trip.” His buddies at the alley are Walter Sobchack (John Goodman), a Vietnam War veteran who would sooner kill someone than talk to them and uses a war reference for every situation, and Donny Kerabatsos (Steve Buscemi), who always seems one step behind the conversation and is told endlessly by Walter to “Shut the f*** up, Donny!”
A series of hilarious blunders ensue and there are more memorable moments and quotable lines than in most movies of recent memory. At one point, Walter loses it during a league game at the alley after his opponent crosses the foul line when rolling. When the opponent, Smokey, refuses to take a zero for the frame, Walter pulls out his pistol and points it in Smokey’s face saying, “Mark it zero! Has the whole world gone crazy?” On their way to the car (and as the police are arriving), Dude tells Walter just how shocking his behavior had been, that “those guys are pacifists, like me…Smokey was a conscientious objector!” He told Walter that Smokey had some emotional problems, to which Walter replied, “You mean beyond passivism?”
In a freaky turn, John Turturro plays creepy Latino bowling nemesis Jesus Quintana (pronounced Jesus). He reportedly did six months in prison for exposing himself to an 8-year-old. He continually tells Dude’s team, “I’m gonna f*** you up!” Turturro’s screen time is limited, but he makes a huge impression. In one of the movie’s most memorable scenes, Jesus does a dance to the Gipsy Kings’ Spanish version of the Eagles’ “Hotel California.”
That’s another thing…the F-bomb is dropped an estimated 260 times during “The Big Lebowski.” This may be more than some people can endure. A few critics at the time of release called the language unnecessary and only existing to fill the void where dialogue was missing. This, however, is not the case. One viewing will prove that each and every word in the script is necessary. Nothing should be added or omitted. During a scene in the bowling alley when Dude is talking to The Stranger, a cowboy played by Sam Elliott (Viewers are unsure as to the Stranger’s role in the film. Is he real? Is he a figment of the Dude’s imagination?), the Stranger says to the Dude, “There’s just one thing, Dude…you have to use so many cusswords?” To which the Dude responds, “…the f*** you talkin’ about?”
When German Nihilists get involved with the kidnapping plot, insanity is not far away. They continuously repeat, “We believe in nothing!” When they break into the Dude’s house while he’s bathing and begin to smash his stereo equipment, he yells, “Hey, this is a private residence, man!”
Julianne Moore plays Maude Lebowski, the Big Lebowski’s daughter and an avid feminist. She let’s the Dude know that her father is not really rich, that it was her mother who inherited all that money which has been put into a trust fund. When the Big Lebowski hires Dude to take a million dollars to the kidnappers, the suitcase is empty (he has kept it for himself), making Dude the pawn.
When the Nihilists finally “kill” the Dude’s car, Walter, Donny, and the Dude enter into fisticuffs with the Germans. During all the commotion, Donny suffers a fatal heart attack. When Walter and Dude have Donny cremated, they decide to spread his ashes into the ocean. When Walter opens the Folgers’ coffee can (this is all they could afford), the ashes blow into the Dude’s face, once again proving what a screw-up Walter is.
In the end, Walter’s theory that Bunny kidnapped herself proves to be true. She was never in danger and never lost her toe – that toe belonged to the girlfriend of one of the Nihilists.
The Coen brothers based the character of the Dude on their longtime friend Jeff Dowd. Dowd was a member of the Seattle Seven in the late sixties and early seventies. The group was a radical anti-Vietnam War organization in Seattle. The Dude even references this in the film, saying, “Did you ever hear of the Seattle Seven? That was me…and six other guys.”
Bridges gives the performance of his career, which could almost be autobiographical, as convincing as he is in the role of the Dude. The Coen brothers are at the top of their game as well, in the writing and direction. “The Big Lebowski” opened two years after their Oscar winner “Fargo,” and two years before another winner, “O Brother, Where Art Thou?” At this year’s Academy Awards, the Coens scored big, winning four statues including Best Picture and Best Direction for “No Country For Old Men.” They’ve definitely come a long way from their first feature “Blood Simple” in 1984. “Raising Arizona” has become another cult classic from the Coen brothers, complete with top-notch writing and left-of-center characters.
“The Big Lebowski” features a soundtrack to rival all soundtracks. The original score by Carter Burwell is mesmerizing and gives the movie much of its identity. T-Bone Burnett was the music bibliographer, and did a terrific job by including such artists as Bob Dylan, Kenny Rogers, Elvis Costello, and Moondog.
The movie had a lukewarm reception when it opened on March 6, 1998. The budget was $15 million and the movie made just over $17 million. While reviews were mixed, the true Coen brothers fans still appreciate the film’s intelligence and eccentric, twisted sense of humor. In 2002, fans began an annual ritual to honor “The Big Lebowski” with the Lebowski Fest in Louisville, Kentucky. The Fest has since expanded to several cities and the Dude lives on in the hearts and minds of slackers and movie buffs alike. Yes, the Dude definitely abides.
Wednesday, February 27, 2008
INTERVIEW: Girl In A Coma
(This is an interview I conducted for Starpulse.com)
Starpulse recently caught up with the up-and-coming band Girl in a Coma as they opened for Morrissey in Europe. Hailing from San Antonio, GIAC is Nina Diaz on vocals and guitar, sister Phanie Diaz on drums, and Jenn Alva on bass guitar. These girls in a coma took over as the opening act for the remainder of Morrissey’s U.S. tour last fall and the entire European leg after that. This coveted gig is only a dream for most bands.
The Girls describe their sound as “melodic punk.” That just about nails it. With the opening track “Clumsy Sky” - a song that starts off hushed, then builds to a punk rock crescendo - they establish a sound that’s both fresh and accomplished. Very few debuts come out of the gates with as much fervor and excitement as this one. While the guitar, bass, and drums are expertly handled, it’s Nina’s voice that will leave you craving more. She sounds much more seasoned and mature than her nineteen years should allow.
The Smiths influence is unmistakable. Nina’s rich, lilting voice makes her sound like a Morrissey progeny. Lovers of great music should check this one out.
Starpulse: Explain to the readers the origin of the band’s name. What were your other choices?
GIAC: Girl in a Coma comes from the song "Girlfriend In A Coma" by the Smiths. At the time we were coming up with band names we were Moz (Morrissey was lead singer of the Smiths) fans and wanted to pay homage to him in some way. We still are Moz fans but didn't realize how many bands are out there with Moz/Smiths names! We also were going to be "Ordinary Girls" and at one point did change it to "Sylvia's Radio." When we became Sylvia, we got a lot of mail from angry fans not wanting the name change. So here we remain.
Give us a brief history of Girl in a Coma.
We started out in 2001 when Nina was 13. Jenn and I had been in bands through most of our teenage years and went through many lineup changes. I had shown Nina a couple chords on the guitar and she kept at it. One day, she knew we were looking for new members and she played us a song she had written. We were completely blown away and knew then and there we wanted to make music with her. I was going to play guitar. Still could not find a drummer so I took up the drums.
Nina’s voice has been compared to several vocalists. Which is the most surprising? Has Chrissie Hynde ever been mentioned?
Chrissie Hynde has been mentioned, Morrissey, Dolores O'Riordan, Bjork to even Roy Orbison. To Nina, just being compared to any of these artists is a definite honor than it is surprising.
Explain to the readers the origin of the title of your new release Both Before I’m Gone.
Nina is a huge James Dean fan. He has a quote in which he says, "Being a good actor isn't easy. Being a man is even harder. I want to be both before I'm done." It’s not exactly word for word but the quote inspired "Both Before I'm Gone."
Do all three members collaborate on songs?
We definitely do. Nina writes all lyrics and her guitar melodies. We write around that or help a part become bigger etc. On the album I was able to write the music for "The Photographer." It's basically what we all agree on music wise.
How are you enjoying touring Europe with Morrissey? What’s the good, the bad, and the ugly?
It’s definitely a dream come true. It's been amazing and the fans have overall been very accepting of us. Morrissey fans are very protective and particular with who is supporting him so we were nervous about the crowd. But it's been great. Of course, you get your heckler here and there but we take it with more humor instead of offense.
Who are some of your musical influences?
It's such a mix tape. It ranges from Patsy Cline, Elvis to the Pixies and Babes in Toyland.
If you had to put a label on your music, how could you describe it?
The hard question...we never really can. Melodic Punk if there is such a thing... it's such a blend...we have rockabilly sounding songs to just straight rock. It's good time music.
When do you plan on hitting the studio again? Will you still be on Joan Jett’s Blackheart label?
Not for another year or so. We plan on touring a little more this year for the album and start getting our songs prepped for the new album towards the end of this year. As for Blackheart, we will just have to see. It’s a great label.
Do you have any opinions on the presidential campaign currently under way in the U.S.?
Always the lesser of the evil.
What other information would you like readers to know about you?
We are all vegetarians and we love San Antonio and Lone Star Beer.
Starpulse recently caught up with the up-and-coming band Girl in a Coma as they opened for Morrissey in Europe. Hailing from San Antonio, GIAC is Nina Diaz on vocals and guitar, sister Phanie Diaz on drums, and Jenn Alva on bass guitar. These girls in a coma took over as the opening act for the remainder of Morrissey’s U.S. tour last fall and the entire European leg after that. This coveted gig is only a dream for most bands.
The Girls describe their sound as “melodic punk.” That just about nails it. With the opening track “Clumsy Sky” - a song that starts off hushed, then builds to a punk rock crescendo - they establish a sound that’s both fresh and accomplished. Very few debuts come out of the gates with as much fervor and excitement as this one. While the guitar, bass, and drums are expertly handled, it’s Nina’s voice that will leave you craving more. She sounds much more seasoned and mature than her nineteen years should allow.
The Smiths influence is unmistakable. Nina’s rich, lilting voice makes her sound like a Morrissey progeny. Lovers of great music should check this one out.
Starpulse: Explain to the readers the origin of the band’s name. What were your other choices?
GIAC: Girl in a Coma comes from the song "Girlfriend In A Coma" by the Smiths. At the time we were coming up with band names we were Moz (Morrissey was lead singer of the Smiths) fans and wanted to pay homage to him in some way. We still are Moz fans but didn't realize how many bands are out there with Moz/Smiths names! We also were going to be "Ordinary Girls" and at one point did change it to "Sylvia's Radio." When we became Sylvia, we got a lot of mail from angry fans not wanting the name change. So here we remain.
Give us a brief history of Girl in a Coma.
We started out in 2001 when Nina was 13. Jenn and I had been in bands through most of our teenage years and went through many lineup changes. I had shown Nina a couple chords on the guitar and she kept at it. One day, she knew we were looking for new members and she played us a song she had written. We were completely blown away and knew then and there we wanted to make music with her. I was going to play guitar. Still could not find a drummer so I took up the drums.
Nina’s voice has been compared to several vocalists. Which is the most surprising? Has Chrissie Hynde ever been mentioned?
Chrissie Hynde has been mentioned, Morrissey, Dolores O'Riordan, Bjork to even Roy Orbison. To Nina, just being compared to any of these artists is a definite honor than it is surprising.
Explain to the readers the origin of the title of your new release Both Before I’m Gone.
Nina is a huge James Dean fan. He has a quote in which he says, "Being a good actor isn't easy. Being a man is even harder. I want to be both before I'm done." It’s not exactly word for word but the quote inspired "Both Before I'm Gone."
Do all three members collaborate on songs?
We definitely do. Nina writes all lyrics and her guitar melodies. We write around that or help a part become bigger etc. On the album I was able to write the music for "The Photographer." It's basically what we all agree on music wise.
How are you enjoying touring Europe with Morrissey? What’s the good, the bad, and the ugly?
It’s definitely a dream come true. It's been amazing and the fans have overall been very accepting of us. Morrissey fans are very protective and particular with who is supporting him so we were nervous about the crowd. But it's been great. Of course, you get your heckler here and there but we take it with more humor instead of offense.
Who are some of your musical influences?
It's such a mix tape. It ranges from Patsy Cline, Elvis to the Pixies and Babes in Toyland.
If you had to put a label on your music, how could you describe it?
The hard question...we never really can. Melodic Punk if there is such a thing... it's such a blend...we have rockabilly sounding songs to just straight rock. It's good time music.
When do you plan on hitting the studio again? Will you still be on Joan Jett’s Blackheart label?
Not for another year or so. We plan on touring a little more this year for the album and start getting our songs prepped for the new album towards the end of this year. As for Blackheart, we will just have to see. It’s a great label.
Do you have any opinions on the presidential campaign currently under way in the U.S.?
Always the lesser of the evil.
What other information would you like readers to know about you?
We are all vegetarians and we love San Antonio and Lone Star Beer.
Friday, February 22, 2008
MUSIC REVIEW: Liam Finn, "I'll Be Lightning"
2008, Roundhead Music
Some things are just meant to be. For example, Liam Finn was meant to create a musical career for himself. Forget about his place in the Finn Dynasty. He can confidently stand on his own merits and talents. This is an extraordinary debut release and Finn has been called one of ten new artists to watch in 2008 by Rolling Stone magazine. And from the hundreds of new artists this year, that’s a high honor.
Now for a bit of background for the uninformed: Liam’s dad, Neil Finn, is considered one of his generation’s most talented singer/songwriters, creating music reminiscent of the Lennon/McCartney era. And the Beatles influence has always been prominent in the elder Finn’s music, focusing on exquisite, harmonizing vocals, witty and intelligent songwriting, and a wicked guitar sense, which is often overlooked and overshadowed by the music as a whole in his songs. Neil joined his big brother Tim Finn as singer with the Split Enz in the late seventies and brought a pop sensibility to the group, bringing them a broader audience with such songs as “One Step Ahead” and “I Got You.” After the Enz disbanded in the early eighties, Neil got together with late drummer Paul Hester and bassist Nick Seymour to form Crowded House. They went on to great success, releasing four gems throughout the eighties and early nineties.
Enough about the old man. The stage is now set for the next generation… Liam Finn’s I’ll Be Lightning is a folksy, melodic prize for listeners who demand top-notch songwriting, singing, and music. Besides a buddy from former group Betchadupa playing drums on a handful of songs and Dad playing bass on one, Liam plays every instrument. Maybe not such an amazing accomplishment since this son has been surrounded by great music his entire life. In concert, Liam is a one-man show, using a looping recorder to lay down guitar tracks, then frantically jumping on the drums. If you didn’t see it with your own two eyes, you would think it was a three- or four-piece rock band, sounding quite awesome. Liam opened for the reunited Crowded House world tour in 2007. After his amazing - but painfully short - opening set, he showed up for most of the CH show, playing guitar and singing back-up vocals. He was a perfect fit.
After an impressive opening song in “Better To Be,” Lightning’s first single, “Second Chance” is a softly building pop masterpiece (“Remember me…honestly I don’t remember who you are”). At about 1:45 into the song, the drums kick in high gear and the song begins to rock. Just the right touch of harmonies and hooks make this a keeper.
“Gather To The Chapel” takes you to that special place. It’s comfort food for the ears with heaping helpings of superbly crafted harmonies (all voices belonging to Liam). “Lead Balloon” hits the ground running with a great backbeat and guitars not shy on the distortion and feedback. Again, Liam pours on the vocal harmonies making this another rich selection (“It’s a sad day when it comes to this, but a free man is a happy man/Walk home and reminisce, you were the highlight of the party…”). He proves he’s got the mettle to seamlessly go from soft, beautiful melodies to downright rock and roll. On “Lullaby,” Liam sings, “try to slow your heart, try to clear your head, night is just the day giving in.” Lucky listeners can enjoy music that is on par with the intelligent lyrics. On some songs, that Beatles influence is heard again. I’ll Be Lightning is a sincere, sometimes folksy album possessing great beauty.
Track for track, this record never fails to satisfy and is an incredible debut. With a slot on Letterman and quickly gaining worldwide exposure, the new Mr. Finn is likely to grace our presence for many years to come. One can only hope.
Some things are just meant to be. For example, Liam Finn was meant to create a musical career for himself. Forget about his place in the Finn Dynasty. He can confidently stand on his own merits and talents. This is an extraordinary debut release and Finn has been called one of ten new artists to watch in 2008 by Rolling Stone magazine. And from the hundreds of new artists this year, that’s a high honor.
Now for a bit of background for the uninformed: Liam’s dad, Neil Finn, is considered one of his generation’s most talented singer/songwriters, creating music reminiscent of the Lennon/McCartney era. And the Beatles influence has always been prominent in the elder Finn’s music, focusing on exquisite, harmonizing vocals, witty and intelligent songwriting, and a wicked guitar sense, which is often overlooked and overshadowed by the music as a whole in his songs. Neil joined his big brother Tim Finn as singer with the Split Enz in the late seventies and brought a pop sensibility to the group, bringing them a broader audience with such songs as “One Step Ahead” and “I Got You.” After the Enz disbanded in the early eighties, Neil got together with late drummer Paul Hester and bassist Nick Seymour to form Crowded House. They went on to great success, releasing four gems throughout the eighties and early nineties.
Enough about the old man. The stage is now set for the next generation… Liam Finn’s I’ll Be Lightning is a folksy, melodic prize for listeners who demand top-notch songwriting, singing, and music. Besides a buddy from former group Betchadupa playing drums on a handful of songs and Dad playing bass on one, Liam plays every instrument. Maybe not such an amazing accomplishment since this son has been surrounded by great music his entire life. In concert, Liam is a one-man show, using a looping recorder to lay down guitar tracks, then frantically jumping on the drums. If you didn’t see it with your own two eyes, you would think it was a three- or four-piece rock band, sounding quite awesome. Liam opened for the reunited Crowded House world tour in 2007. After his amazing - but painfully short - opening set, he showed up for most of the CH show, playing guitar and singing back-up vocals. He was a perfect fit.
After an impressive opening song in “Better To Be,” Lightning’s first single, “Second Chance” is a softly building pop masterpiece (“Remember me…honestly I don’t remember who you are”). At about 1:45 into the song, the drums kick in high gear and the song begins to rock. Just the right touch of harmonies and hooks make this a keeper.
“Gather To The Chapel” takes you to that special place. It’s comfort food for the ears with heaping helpings of superbly crafted harmonies (all voices belonging to Liam). “Lead Balloon” hits the ground running with a great backbeat and guitars not shy on the distortion and feedback. Again, Liam pours on the vocal harmonies making this another rich selection (“It’s a sad day when it comes to this, but a free man is a happy man/Walk home and reminisce, you were the highlight of the party…”). He proves he’s got the mettle to seamlessly go from soft, beautiful melodies to downright rock and roll. On “Lullaby,” Liam sings, “try to slow your heart, try to clear your head, night is just the day giving in.” Lucky listeners can enjoy music that is on par with the intelligent lyrics. On some songs, that Beatles influence is heard again. I’ll Be Lightning is a sincere, sometimes folksy album possessing great beauty.
Track for track, this record never fails to satisfy and is an incredible debut. With a slot on Letterman and quickly gaining worldwide exposure, the new Mr. Finn is likely to grace our presence for many years to come. One can only hope.
Tuesday, February 19, 2008
83. VAN HALEN, 2/10/08
Location: Philips Arena, Atlanta, GA
Supporting act: Ky-Mani Marley
In the company of: Steven W., Joe B., Lisa W., Austin W., Teia G., Amy P.
The Reunion That No One Bet On
They say all good things must pass. David Lee Roth was out. Sammy Hagar took over. Then it was Gary Cherone for an eye blink. In 2008, that guy that Eddie Van Halen couldn’t stand is now back in front. DLR in all his three-ring circus glory is back. Is this a good thing? Will it last? Will they avoid killing each other? Whatever your opinion, this was the near-original Van Halen lineup. The one asterisk would be the absence of bassist Michael Anthony. Recently fired, Anthony’s bass was picked up by 16-year old Wolfgang Van Halen, son of Eddie. The younger Van Halen did a fine job, but lacked the wild stage presence of Anthony.
The show opened with their cover of the Kinks’ “You Really Got Me.” This pretty much brought the roof down. DLR was as animated as ever and had several top-hat-and-sequined-jacket wardrobe changes. Backing vocals by Eddie and Wolfgang were right on and complemented Roth very well. The band went on to play such fan faves as “Running With The Devil,” the Roy Orbison cover, “Pretty Woman,” and “Dance The Night Away.”
Drummer Alex Van Halen was wicked on the kit. Like Eddie, brother Alex began the show shirtless. Besides the teenage boy onstage, the three middle-aged men all showed off quite the six-packs. Alex had a drum solo that probably lasted ten to fifteen minutes. The other band members took a long break, returned, and kept the music going.
With all the nostalgia, there were a few issues with sound. To begin with, technical difficulties were frequent during the evening. During the long trademark guitar solo by Eddie, the sound went totally out for what seemed like five minutes. He strummed, heard nothing, then threw his arms up looking off stage. Finally, someone figured out what was not plugged in and plugged it in. Eddie continued, unfazed. Also, Roth’s voice is not what it used to be. Maybe some of the bad notes could be blamed on the engineering, but not all of them. Roth did, however, show off his incredible gymnastic prowess, which has survived the band’s long recess. Several times, he jumped and spun, his knee nearly striking his head as his foot flew into the air. Each of these garnered a roar from the crowd.
Other hits included, “Hot For Teacher,” “Jamie’s Cryin,” and “Ice Cream Man.” Interspersed among the hits were song selections for true Van Halen fans. The boys dug deep for a few that never received any radio play, but were nonetheless very well received at this show.
The performance lasted an impressive two hours. After an explosive “Panama” and a rocking “Ain’t Talkin’ ‘bout Love,” the band left the stage for a very short recess until the crowd prodded them back out for one more tune. The opening keys of “Jump” blasted from the speakers and the crowd went hysterical. Confetti fell, Roth carried around a ginormous inflated microphone, and it was 1984 all over again.
Despite the sound glitches and vocal challenges, fans seemed to enjoy this reunion. Maybe as the tour progresses, Van Halen will perfect that sound that made them rich in the eighties.
Ky-Mani Marley, son of Bob, opened the show. It was a short and sweet performance by this unlikely Van Halen opener. His mix of reggae and hip-hop stylings was an interesting blend, although it seemed that few in the audience could care less. However, his cover of dad’s “No Woman No Cry” was outstanding.
Supporting act: Ky-Mani Marley
In the company of: Steven W., Joe B., Lisa W., Austin W., Teia G., Amy P.
The Reunion That No One Bet On
They say all good things must pass. David Lee Roth was out. Sammy Hagar took over. Then it was Gary Cherone for an eye blink. In 2008, that guy that Eddie Van Halen couldn’t stand is now back in front. DLR in all his three-ring circus glory is back. Is this a good thing? Will it last? Will they avoid killing each other? Whatever your opinion, this was the near-original Van Halen lineup. The one asterisk would be the absence of bassist Michael Anthony. Recently fired, Anthony’s bass was picked up by 16-year old Wolfgang Van Halen, son of Eddie. The younger Van Halen did a fine job, but lacked the wild stage presence of Anthony.
The show opened with their cover of the Kinks’ “You Really Got Me.” This pretty much brought the roof down. DLR was as animated as ever and had several top-hat-and-sequined-jacket wardrobe changes. Backing vocals by Eddie and Wolfgang were right on and complemented Roth very well. The band went on to play such fan faves as “Running With The Devil,” the Roy Orbison cover, “Pretty Woman,” and “Dance The Night Away.”
Drummer Alex Van Halen was wicked on the kit. Like Eddie, brother Alex began the show shirtless. Besides the teenage boy onstage, the three middle-aged men all showed off quite the six-packs. Alex had a drum solo that probably lasted ten to fifteen minutes. The other band members took a long break, returned, and kept the music going.
With all the nostalgia, there were a few issues with sound. To begin with, technical difficulties were frequent during the evening. During the long trademark guitar solo by Eddie, the sound went totally out for what seemed like five minutes. He strummed, heard nothing, then threw his arms up looking off stage. Finally, someone figured out what was not plugged in and plugged it in. Eddie continued, unfazed. Also, Roth’s voice is not what it used to be. Maybe some of the bad notes could be blamed on the engineering, but not all of them. Roth did, however, show off his incredible gymnastic prowess, which has survived the band’s long recess. Several times, he jumped and spun, his knee nearly striking his head as his foot flew into the air. Each of these garnered a roar from the crowd.
Other hits included, “Hot For Teacher,” “Jamie’s Cryin,” and “Ice Cream Man.” Interspersed among the hits were song selections for true Van Halen fans. The boys dug deep for a few that never received any radio play, but were nonetheless very well received at this show.
The performance lasted an impressive two hours. After an explosive “Panama” and a rocking “Ain’t Talkin’ ‘bout Love,” the band left the stage for a very short recess until the crowd prodded them back out for one more tune. The opening keys of “Jump” blasted from the speakers and the crowd went hysterical. Confetti fell, Roth carried around a ginormous inflated microphone, and it was 1984 all over again.
Despite the sound glitches and vocal challenges, fans seemed to enjoy this reunion. Maybe as the tour progresses, Van Halen will perfect that sound that made them rich in the eighties.
Ky-Mani Marley, son of Bob, opened the show. It was a short and sweet performance by this unlikely Van Halen opener. His mix of reggae and hip-hop stylings was an interesting blend, although it seemed that few in the audience could care less. However, his cover of dad’s “No Woman No Cry” was outstanding.
Friday, February 8, 2008
MOVIE REVIEW: U23D
Location: Mall of Georgia IMAX Theater
With: Ethan
Turn It Up Loud, Captain!
What could possibly be considered innovative for the band that’s done it all? A 3D IMAX film? Yes, that would do it. Since their first album, Boy, was released in 1980, Irish rock group and BBITW (Biggest Band In The World) U2 has pushed the limits of celebrity, musical experimentation, and how to look at the world.
With Bono (born Paul Hewson) at the helm, anything seems possible. It has been said that U2 release albums in series of threes: Boy (1980), October (1981), and War (1983) were all straight-ahead rockers with enough hooks to catch a school of piranha; Then came The Unforgettable Fire (1984), The Joshua Tree (1987), and Rattle and Hum (1988) all possessing themes from their newly adopted home, America; followed by Achtung, Baby (1991), Zooropa (1993), and Pop (1997), considered their experimental period; and finally All That You Can’t Leave Behind (2000) and How To Dismantle An Atomic Bomb (2004), a return to what they did best: great rock (fans anxiously await the third installment in that last series).
One theme consistent throughout all of U2’s releases is a sense of spirituality not attempted by most bands. With Bono, who was raised Irish Catholic in the war-torn streets of Dublin, Ireland, no one can miss the connection with God. Even while many do not consider that to be a cool thing to do, U2 stay close to their religious roots. With this history, Bono and the boys showcase their views on non-violence and human rights through sound and vision. Before "Pride (In The Name Of Love)" – an ode to Dr. Martin Luther King, Jr. – was played, the Universal Declaration of Human Rights http://www.un.org/Overview/rights.html scrolled up a screen in Spanish while being read in English. Very powerful.
And so it goes, U23D seemed like a religious experience for the throngs of fans viewing it on that big screen. Culled from several shows in South America from U2’s 2005 Vertigo tour supporting the album How To Dismantle An Atomic Bomb, the opening scene shows a female concertgoer running through the corridor as you overhear the crowd cheering and music beginning. Missing the opening of a U2 concert rivals the college-years nightmare of oversleeping through a big final exam.
“Unos, Dos, Tres, Catorce!” …the opening of "Vertigo" and a power guitar riff now known to millions. The concert/movie was a visual explosion. Bono reached towards the camera several times as viewers in the IMAX theater reached back in an attempt to touch his hand. At one point he was playing a guitar and it seemed as if one could reach out and tune it for him. Not only was the visual show astonishing, but of course, the music was captivating. Playing some of their greatest songs, this could have gone twice the length of its 85 minutes and not bored the crowd.
All four members had their moments in the spotlight. The Edge (born Dave Evans) made music with his guitar that experts still can’t figure out, while bassist Adam Clayton kept the rhythm on the down low. On "Love And Peace Or Else," drummer and U2 founder Larry Mullen, Jr. stood isolated on the walkway that extended out into the crowd. His instrument was a single drum that he pounded throughout the song. When he made his way back to the drum kit on stage, Bono took over pounding that drum in what must be one of the most dramatic moments of the show. The singer wears his heart on his sleeve and never shies away from showing it. The only possible complaint about U23D would be that the movie did not have the volume of a true U2 concert. Turn it up loud, captain!
Fans of U2 will love this thing. Those somewhat familiar with the band may become the newest fans. And those who couldn’t care less will – at the very least – say “not bad.” In 1984, Talking Heads’ Stop Making Sense did wondrous things for the rock concert film as a true art form. U23D has raised the stakes in 2008.
U2 closed out the show with a beautiful acoustic version of "Yahweh." Back to their spiritual roots and hopefully, back to the studio to, once again, reinvent themselves as well as rock music.
Here’s the set list:
Vertigo
Beautiful Day
New Year’s Day
Sometimes You Can’t Make It On Your Own
Love And Peace
Sunday Bloody Sunday
Bullet The Blue Sky
Miss Sarajevo
Pride (In The Name Of Love)
Where The Streets Have No Name
One
The Fly
With Or Without You
Yahweh
With: Ethan
Turn It Up Loud, Captain!
What could possibly be considered innovative for the band that’s done it all? A 3D IMAX film? Yes, that would do it. Since their first album, Boy, was released in 1980, Irish rock group and BBITW (Biggest Band In The World) U2 has pushed the limits of celebrity, musical experimentation, and how to look at the world.
With Bono (born Paul Hewson) at the helm, anything seems possible. It has been said that U2 release albums in series of threes: Boy (1980), October (1981), and War (1983) were all straight-ahead rockers with enough hooks to catch a school of piranha; Then came The Unforgettable Fire (1984), The Joshua Tree (1987), and Rattle and Hum (1988) all possessing themes from their newly adopted home, America; followed by Achtung, Baby (1991), Zooropa (1993), and Pop (1997), considered their experimental period; and finally All That You Can’t Leave Behind (2000) and How To Dismantle An Atomic Bomb (2004), a return to what they did best: great rock (fans anxiously await the third installment in that last series).
One theme consistent throughout all of U2’s releases is a sense of spirituality not attempted by most bands. With Bono, who was raised Irish Catholic in the war-torn streets of Dublin, Ireland, no one can miss the connection with God. Even while many do not consider that to be a cool thing to do, U2 stay close to their religious roots. With this history, Bono and the boys showcase their views on non-violence and human rights through sound and vision. Before "Pride (In The Name Of Love)" – an ode to Dr. Martin Luther King, Jr. – was played, the Universal Declaration of Human Rights http://www.un.org/Overview/rights.html scrolled up a screen in Spanish while being read in English. Very powerful.
And so it goes, U23D seemed like a religious experience for the throngs of fans viewing it on that big screen. Culled from several shows in South America from U2’s 2005 Vertigo tour supporting the album How To Dismantle An Atomic Bomb, the opening scene shows a female concertgoer running through the corridor as you overhear the crowd cheering and music beginning. Missing the opening of a U2 concert rivals the college-years nightmare of oversleeping through a big final exam.
“Unos, Dos, Tres, Catorce!” …the opening of "Vertigo" and a power guitar riff now known to millions. The concert/movie was a visual explosion. Bono reached towards the camera several times as viewers in the IMAX theater reached back in an attempt to touch his hand. At one point he was playing a guitar and it seemed as if one could reach out and tune it for him. Not only was the visual show astonishing, but of course, the music was captivating. Playing some of their greatest songs, this could have gone twice the length of its 85 minutes and not bored the crowd.
All four members had their moments in the spotlight. The Edge (born Dave Evans) made music with his guitar that experts still can’t figure out, while bassist Adam Clayton kept the rhythm on the down low. On "Love And Peace Or Else," drummer and U2 founder Larry Mullen, Jr. stood isolated on the walkway that extended out into the crowd. His instrument was a single drum that he pounded throughout the song. When he made his way back to the drum kit on stage, Bono took over pounding that drum in what must be one of the most dramatic moments of the show. The singer wears his heart on his sleeve and never shies away from showing it. The only possible complaint about U23D would be that the movie did not have the volume of a true U2 concert. Turn it up loud, captain!
Fans of U2 will love this thing. Those somewhat familiar with the band may become the newest fans. And those who couldn’t care less will – at the very least – say “not bad.” In 1984, Talking Heads’ Stop Making Sense did wondrous things for the rock concert film as a true art form. U23D has raised the stakes in 2008.
U2 closed out the show with a beautiful acoustic version of "Yahweh." Back to their spiritual roots and hopefully, back to the studio to, once again, reinvent themselves as well as rock music.
Here’s the set list:
Vertigo
Beautiful Day
New Year’s Day
Sometimes You Can’t Make It On Your Own
Love And Peace
Sunday Bloody Sunday
Bullet The Blue Sky
Miss Sarajevo
Pride (In The Name Of Love)
Where The Streets Have No Name
One
The Fly
With Or Without You
Yahweh
Monday, January 14, 2008
82. EDITORS, 1/11/08
Location: The Roxy, Atlanta
Support Act(s): Hot Hot Heat, Louis XIV
In the company of: Chris
The members of the British group Editors are on a journey of discovery in America. Supporting their second release, 2007’s An End Has A Start, the band is still somewhat unknown. Surprising, considering their sharp lyrics, driving drums, and soaring guitar. Singer Tom Smith stays on the low end vocally, complementing the high driving guitar sound. The journey they are on is for America to discover them. After a 2006 tour in support of their first release, The Back Room, Editors are back to prove that multi-platinum success was not a fluke.
For those who haven’t heard, Editors have drawn similarities to Joy Division, a post-punk group also from England. Smith’s vocal style is very much like that of Singer Ian Curtis who took his own life in 1980, proving the dark lyrical content of the band was not just for show. Smith, who was born the following year, appears to be the reincarnation of Curtis.
The group opened with the explosive Bones, from their current record. From there, the music seemed to get louder and faster. Highlights from The Back Room included Bullets, Munich, and Blood (“Blood runs through your veins, that’s where our similarity ends…”).
A few songs into the set, Smith asked the crowd, “Ever had one of those days when nothing went right?” A perplexing question since everything had sounded very right. Of course, Editors performed several selections from End. Besides the opener, they performed the album’s title track An End Has A Start, Smokers Outside The Hospital Doors, and the latest single, The Racing Rats (“If a plane were to fall from the sky how big a hole would it leave in the surface of the earth?”). This soaring rocker demands respect from the opening note and seemed to be the crowd favorite.
Smith was very animated, often standing on speakers or the keyboard while singing. Drummer Ed Lay supplied the chest-crushing drumming. It was a gold medal performance, which should help turn this up-and-coming band into something big. The British are coming, people…go buy their cd.
San Diego band Louis XIV opened the show with an energized and excellent set. The six-piece band had, at one time, two violins going. The keyboard was also in use in addition to a couple guitars, a bass, and the drums. Lead singer Jason Hill crossed from David Bowie to Johnny Rotten to Mick Jagger in a matter of minutes. It was glam meets garage and it worked. For a third-stringer, this group made some new fans. Stand out tracks included Guilt By Association and Finding Out True Love Is Blind. They’ll pick up the silver medal.
The bronze will go to the middle act, British Columbia’s Hot Hot Heat. While the group rocked through their set and kept the crowd buzzing, Louis XIV showed them up and nearly stole the entire show. Heat’s Steve Bays did a sufficient job, but in the end they were sandwiched by giants. Not an easy task.
Support Act(s): Hot Hot Heat, Louis XIV
In the company of: Chris
The members of the British group Editors are on a journey of discovery in America. Supporting their second release, 2007’s An End Has A Start, the band is still somewhat unknown. Surprising, considering their sharp lyrics, driving drums, and soaring guitar. Singer Tom Smith stays on the low end vocally, complementing the high driving guitar sound. The journey they are on is for America to discover them. After a 2006 tour in support of their first release, The Back Room, Editors are back to prove that multi-platinum success was not a fluke.
For those who haven’t heard, Editors have drawn similarities to Joy Division, a post-punk group also from England. Smith’s vocal style is very much like that of Singer Ian Curtis who took his own life in 1980, proving the dark lyrical content of the band was not just for show. Smith, who was born the following year, appears to be the reincarnation of Curtis.
The group opened with the explosive Bones, from their current record. From there, the music seemed to get louder and faster. Highlights from The Back Room included Bullets, Munich, and Blood (“Blood runs through your veins, that’s where our similarity ends…”).
A few songs into the set, Smith asked the crowd, “Ever had one of those days when nothing went right?” A perplexing question since everything had sounded very right. Of course, Editors performed several selections from End. Besides the opener, they performed the album’s title track An End Has A Start, Smokers Outside The Hospital Doors, and the latest single, The Racing Rats (“If a plane were to fall from the sky how big a hole would it leave in the surface of the earth?”). This soaring rocker demands respect from the opening note and seemed to be the crowd favorite.
Smith was very animated, often standing on speakers or the keyboard while singing. Drummer Ed Lay supplied the chest-crushing drumming. It was a gold medal performance, which should help turn this up-and-coming band into something big. The British are coming, people…go buy their cd.
San Diego band Louis XIV opened the show with an energized and excellent set. The six-piece band had, at one time, two violins going. The keyboard was also in use in addition to a couple guitars, a bass, and the drums. Lead singer Jason Hill crossed from David Bowie to Johnny Rotten to Mick Jagger in a matter of minutes. It was glam meets garage and it worked. For a third-stringer, this group made some new fans. Stand out tracks included Guilt By Association and Finding Out True Love Is Blind. They’ll pick up the silver medal.
The bronze will go to the middle act, British Columbia’s Hot Hot Heat. While the group rocked through their set and kept the crowd buzzing, Louis XIV showed them up and nearly stole the entire show. Heat’s Steve Bays did a sufficient job, but in the end they were sandwiched by giants. Not an easy task.
Sunday, November 18, 2007
81. THE POLICE, 11/17/07
Location: Philips Arena, Atlanta, GA
Support act(s): Fiction Plane
In the company of: Chris
Let me just begin by saying I bought the shirt (i.e., ...drank the Kool-Aid). It's not because the show was great (It was). It's not because I buy a shirt from each concert I attend (I never do...have you seen my list? That would exceed Qatar's national debt for a year). It's because my old Police shirt has shrunk. That's right. I think I'm taller now than when I was 18. I bought that one on March 25, 1982, in Kansas City, during the Ghost in the Machine tour at what I'm SURE was a much cheaper cost. So a replacement shirt was in order.
Anyway, when people ask me, "Who's your favorite band?" the answer is always, "The Police" (even though they have not toured for 24 years). So, this one was pretty special. Imagine my excitement earlier this year upon hearing the reunion news. I just got stupid.
I'll now start my "review" by discussing the opening act. Now, everyone knows this is a thankless job. NOBODY wants to see you. NOBODY cares about you. You just serve as the equivalent of theater's dimming of the lights at the beginning of the play. Really. But for this show, I was very excited. I am a Fiction Plane fan. They've put out two full-length albums and one EP. Good, rockin' stuff. But I'm sure the uninformed last night were thinking, "Isn't it the purpose of a supporting band to complement the sound of the headliner? Yes, I say. Yes it is. Who would want an opening band to have too many similarities with the main course, you ask? You're preaching to the choir, my friend. Fiction Plane is made up of an American drummer, a British guitar player, and a British bass player/lead singer (sound familiar?). While not relying as much on the reggae-tinged alternative sound, they do delve into it a tad. Here's the news: the Fiction Plane lead singer is Joe Sumner. First born of Gordon Sumner...AKA Sting. What a sweet gig, huh? Touring with Dad? My wife made the point that while all the latecomers were getting their beers and taking care of business, they heard FP and probably screamed, "OMG! The Police have already begun!" Joe looks and sounds a lot like Sting. But it is a different sound. He was very animated, even jumping off the five foot speakers, bass in hands. But he is NOT trying to copy Dad. And until this tour, he never made mention of Sting during interviews or performances. And I'm sure he made it clear that he did not want that brought up. He wanted his band to make it on it's own merits. But who could turn down opening every show in America for the Police? It was a highlight for me, and I wish everyone could have experienced their complete performance. A couple songs for you to check out are It's A Lie and Two Sisters from their new album Left Side Of The Brain.
Onto the Police. They opened the show with Message In A Bottle. The sold out crowd knew all the words, and Sting was happy to have all of us back-up singers. This is a stripped-down sound. Sting on bass and vocals, Andy Summers on guitar, and Stewart Copeland on drums. Just the way it all began in 1976 (minus Henry Padovoni, the original guitarist). By the time the Synchronicity tour rolled around in 1983, they had the back-up singers and synthesizers. It was a large-scale production to say the least. The 2007 tour is not only a reunion, but a back-to-basics tour.
The boys sounded good. Andy, the elder statesman at 64, was better than ever. Grey-haired and 55, Stewart had his normal extensive drum kit, plus a platform behind his drums which rose up about five feet when he jumped back there to play the big drums, chimes, gong, etc. Sting, at 56, could have kicked half the asses in that arena. He has kept his body in very good shape.
This show was a hit factory. But, they did treat the real fans with some gems which the average radio listener did not know. For example: Hole In My Life, Truth Hits Everybody, and Next to You, all from their first album Outlandos D'Amour. Sting, after canceling a show four nights earlier because of a case of the flu, sounded great. And he did a few of his signature jumps, matching the crescendo of a song ending. Just not as frequently. Actually, Summers (the old man) did more jumping than Sting...and off of Stewart's drum stand! Yes, they sounded excellent. And for a fan such as me who knows every song, this is saying something. That is true because the Police are not there to regurgitate the exact sound from their records. They're a jam band. They reinvent each song when playing live. That's why Voices Inside My Head/When The World Is Running Down... rocked. I mean ROCKED. And the combo of Can't Stand Losing You/Reggatta De Blanc ("eyo, eyay, eyay-o") was one of the highpoints of the show. They know the music and each other so well that they can take a song to a whole new place and make it work.
There were many singalongs and Sting talked with the crowd frequently. After playing sixteen songs, they thanked us and left. Of course, they returned shortly with four songs from their first and last albums. A very nice contrast, for me anyway. That set included So Lonely, which I can safely say is probably my favorite Police song. Again, "Thank you, goodnight." This time though, Andy just stayed there. Sting and Stewart were gone. Andy began motioning for them to come back, while looking at his watch and throwing his hands in the air. This was hilarious and had fans cheering louder than ever. Finally, the other two came back and they ended with Next To You, the first song on their first album. Classic.
I know that these guys could pretty much sleepwalk through their entire catalog of songs and I know that they're making millions for their retirement. But that soundtrack of my life that I sometimes mention is FULL of Police music. Standing there last night, I was thinking, "No one is enjoying this more than me."
One night back in '91, while working the late shift at the Ritz-Carlton Hotel in Kansas City, Sting returned from one of his few solo concerts that I did not attend. I was standing outside the front door when he was dropped off. "Here's my chance," I thought. As he approached me and we shook hands, I asked, "How was the show?" Sting replied, as only Sting could, "Well...no one asked for their money back." And no one asked for their money back last night.
Here's a peek at the set list:
Message In A Bottle
Synchronicity II
Walking On The Moon
Voices Inside My Head/When The World Is Running Down, You Make The Best Of What's Still Around
Don't Stand So Close to Me
Driven To Tears
Hole In My Life
Truth Hits Everybody
Every Little Thing She Does Is Magic
Wrapped Around Your Finger
De Do Do Do, De Da Da Da
Invisible Sun
Walking In Your Footsteps
Can't Stand Losing You/Regatta De Blanc
First encore:
Roxanne
King Of Pain
So Lonely
Every Breath You Take
Second encore:
Next To You
Here's what they played from each of their studio albums:
Outlandos D'Amour (1978) - 6 songs
Reggatta De Blanc (1979) - 3 songs
Zenyatta Mondatta (1980) - 5 songs
Ghost In The Machine (1981) - 2 songs
Synchronicity (1983) - 5 songs
Support act(s): Fiction Plane
In the company of: Chris
Let me just begin by saying I bought the shirt (i.e., ...drank the Kool-Aid). It's not because the show was great (It was). It's not because I buy a shirt from each concert I attend (I never do...have you seen my list? That would exceed Qatar's national debt for a year). It's because my old Police shirt has shrunk. That's right. I think I'm taller now than when I was 18. I bought that one on March 25, 1982, in Kansas City, during the Ghost in the Machine tour at what I'm SURE was a much cheaper cost. So a replacement shirt was in order.
Anyway, when people ask me, "Who's your favorite band?" the answer is always, "The Police" (even though they have not toured for 24 years). So, this one was pretty special. Imagine my excitement earlier this year upon hearing the reunion news. I just got stupid.
I'll now start my "review" by discussing the opening act. Now, everyone knows this is a thankless job. NOBODY wants to see you. NOBODY cares about you. You just serve as the equivalent of theater's dimming of the lights at the beginning of the play. Really. But for this show, I was very excited. I am a Fiction Plane fan. They've put out two full-length albums and one EP. Good, rockin' stuff. But I'm sure the uninformed last night were thinking, "Isn't it the purpose of a supporting band to complement the sound of the headliner? Yes, I say. Yes it is. Who would want an opening band to have too many similarities with the main course, you ask? You're preaching to the choir, my friend. Fiction Plane is made up of an American drummer, a British guitar player, and a British bass player/lead singer (sound familiar?). While not relying as much on the reggae-tinged alternative sound, they do delve into it a tad. Here's the news: the Fiction Plane lead singer is Joe Sumner. First born of Gordon Sumner...AKA Sting. What a sweet gig, huh? Touring with Dad? My wife made the point that while all the latecomers were getting their beers and taking care of business, they heard FP and probably screamed, "OMG! The Police have already begun!" Joe looks and sounds a lot like Sting. But it is a different sound. He was very animated, even jumping off the five foot speakers, bass in hands. But he is NOT trying to copy Dad. And until this tour, he never made mention of Sting during interviews or performances. And I'm sure he made it clear that he did not want that brought up. He wanted his band to make it on it's own merits. But who could turn down opening every show in America for the Police? It was a highlight for me, and I wish everyone could have experienced their complete performance. A couple songs for you to check out are It's A Lie and Two Sisters from their new album Left Side Of The Brain.
Onto the Police. They opened the show with Message In A Bottle. The sold out crowd knew all the words, and Sting was happy to have all of us back-up singers. This is a stripped-down sound. Sting on bass and vocals, Andy Summers on guitar, and Stewart Copeland on drums. Just the way it all began in 1976 (minus Henry Padovoni, the original guitarist). By the time the Synchronicity tour rolled around in 1983, they had the back-up singers and synthesizers. It was a large-scale production to say the least. The 2007 tour is not only a reunion, but a back-to-basics tour.
The boys sounded good. Andy, the elder statesman at 64, was better than ever. Grey-haired and 55, Stewart had his normal extensive drum kit, plus a platform behind his drums which rose up about five feet when he jumped back there to play the big drums, chimes, gong, etc. Sting, at 56, could have kicked half the asses in that arena. He has kept his body in very good shape.
This show was a hit factory. But, they did treat the real fans with some gems which the average radio listener did not know. For example: Hole In My Life, Truth Hits Everybody, and Next to You, all from their first album Outlandos D'Amour. Sting, after canceling a show four nights earlier because of a case of the flu, sounded great. And he did a few of his signature jumps, matching the crescendo of a song ending. Just not as frequently. Actually, Summers (the old man) did more jumping than Sting...and off of Stewart's drum stand! Yes, they sounded excellent. And for a fan such as me who knows every song, this is saying something. That is true because the Police are not there to regurgitate the exact sound from their records. They're a jam band. They reinvent each song when playing live. That's why Voices Inside My Head/When The World Is Running Down... rocked. I mean ROCKED. And the combo of Can't Stand Losing You/Reggatta De Blanc ("eyo, eyay, eyay-o") was one of the highpoints of the show. They know the music and each other so well that they can take a song to a whole new place and make it work.
There were many singalongs and Sting talked with the crowd frequently. After playing sixteen songs, they thanked us and left. Of course, they returned shortly with four songs from their first and last albums. A very nice contrast, for me anyway. That set included So Lonely, which I can safely say is probably my favorite Police song. Again, "Thank you, goodnight." This time though, Andy just stayed there. Sting and Stewart were gone. Andy began motioning for them to come back, while looking at his watch and throwing his hands in the air. This was hilarious and had fans cheering louder than ever. Finally, the other two came back and they ended with Next To You, the first song on their first album. Classic.
I know that these guys could pretty much sleepwalk through their entire catalog of songs and I know that they're making millions for their retirement. But that soundtrack of my life that I sometimes mention is FULL of Police music. Standing there last night, I was thinking, "No one is enjoying this more than me."
One night back in '91, while working the late shift at the Ritz-Carlton Hotel in Kansas City, Sting returned from one of his few solo concerts that I did not attend. I was standing outside the front door when he was dropped off. "Here's my chance," I thought. As he approached me and we shook hands, I asked, "How was the show?" Sting replied, as only Sting could, "Well...no one asked for their money back." And no one asked for their money back last night.
Here's a peek at the set list:
Message In A Bottle
Synchronicity II
Walking On The Moon
Voices Inside My Head/When The World Is Running Down, You Make The Best Of What's Still Around
Don't Stand So Close to Me
Driven To Tears
Hole In My Life
Truth Hits Everybody
Every Little Thing She Does Is Magic
Wrapped Around Your Finger
De Do Do Do, De Da Da Da
Invisible Sun
Walking In Your Footsteps
Can't Stand Losing You/Regatta De Blanc
First encore:
Roxanne
King Of Pain
So Lonely
Every Breath You Take
Second encore:
Next To You
Here's what they played from each of their studio albums:
Outlandos D'Amour (1978) - 6 songs
Reggatta De Blanc (1979) - 3 songs
Zenyatta Mondatta (1980) - 5 songs
Ghost In The Machine (1981) - 2 songs
Synchronicity (1983) - 5 songs
Sunday, November 11, 2007
80. MORRISSEY, 11/5/07
Location: The Tabernacle, Atlanta, GA
Support act(s): Girl in a Coma
In the company of: Chris
Just arrived home from the show. The Moz did not disappoint. Again. Song #1 was "Stop Me If You've Heard This One Before," from the Smiths final studio album Strangeways, Here We Come. It is called the Greatest Hits Tour, mainly because there is no new release to promote. That was fine with me.
Morrissey dug deep into his early solo stuff, not focusing on Smiths material as much as the last time we saw him. One huge highlight for me was "Please, Please, Please Let Me Get What I Want." This was actually the first Smiths song I ever heard (embarrassingly from the Pretty In Pink soundtrack). Nonetheless, it's a beautiful, melancholy song about Morrissey's favorite subject: loneliness. How anyone can make this topic shine is beyond me. I consider Morrissey's voice to be the most important instrument in his music and one of the best - if not THE best - voices in all music. Any genre.
After the opening song, he announced, "Welcome to my sick bed." Possibly making reference to his age? The state of his career? His actual physical condition? Who knows. Boring he is not. Intriguing he always is. Following "Please, Please..." was the big one, "How Soon Is Now." This is most likely the best known Smiths song. And it's always great. The absence of former Smiths guitarist Johnny Marr is somewhat noticable, but I'll just save my money and say my prayers for a Smiths reunion some day. I will buy a ticket for that one regardless of the price.
A couple of glaring omissions were, "Bigmouth Strikes Again" and "There Is A Light That Never Goes Out" ("...to die by your side is such a heavenly way to die."). The show was relatively short, but quality - not quantity - won out. In his late forties, Morrissey proved that he can still rock. And he's still relevant.
Openers Girl in a Coma had everyone wondering, "Where'd ya get your name?" It HAS to be from the Smith's (Morrissey-penned) song "Girlfriend in a Coma" from 1989's Strangeways Here We Come. Incidentally, this was the Smiths' last studio album.
Hailing from San Antonio, the girls rocked the house with music which really could be considered Smiths-like. With intelligent lyrics and nonstop energy, Girl in a Coma was positively received by the crowd. Highlights included "Road To Home" and "Their Cell."
Support act(s): Girl in a Coma
In the company of: Chris
Just arrived home from the show. The Moz did not disappoint. Again. Song #1 was "Stop Me If You've Heard This One Before," from the Smiths final studio album Strangeways, Here We Come. It is called the Greatest Hits Tour, mainly because there is no new release to promote. That was fine with me.
Morrissey dug deep into his early solo stuff, not focusing on Smiths material as much as the last time we saw him. One huge highlight for me was "Please, Please, Please Let Me Get What I Want." This was actually the first Smiths song I ever heard (embarrassingly from the Pretty In Pink soundtrack). Nonetheless, it's a beautiful, melancholy song about Morrissey's favorite subject: loneliness. How anyone can make this topic shine is beyond me. I consider Morrissey's voice to be the most important instrument in his music and one of the best - if not THE best - voices in all music. Any genre.
After the opening song, he announced, "Welcome to my sick bed." Possibly making reference to his age? The state of his career? His actual physical condition? Who knows. Boring he is not. Intriguing he always is. Following "Please, Please..." was the big one, "How Soon Is Now." This is most likely the best known Smiths song. And it's always great. The absence of former Smiths guitarist Johnny Marr is somewhat noticable, but I'll just save my money and say my prayers for a Smiths reunion some day. I will buy a ticket for that one regardless of the price.
A couple of glaring omissions were, "Bigmouth Strikes Again" and "There Is A Light That Never Goes Out" ("...to die by your side is such a heavenly way to die."). The show was relatively short, but quality - not quantity - won out. In his late forties, Morrissey proved that he can still rock. And he's still relevant.
Openers Girl in a Coma had everyone wondering, "Where'd ya get your name?" It HAS to be from the Smith's (Morrissey-penned) song "Girlfriend in a Coma" from 1989's Strangeways Here We Come. Incidentally, this was the Smiths' last studio album.
Hailing from San Antonio, the girls rocked the house with music which really could be considered Smiths-like. With intelligent lyrics and nonstop energy, Girl in a Coma was positively received by the crowd. Highlights included "Road To Home" and "Their Cell."
79. CROWDED HOUSE, 9/12/07
Location: The Tabernacle, Atlanta, GA
Support act(s): Pete Yorn, Liam Finn
In the company of: Chris
The first time I saw Crowded House live was in Kansas City 20 years ago. They were touring supporting their first album after the break-up of Split Enz. I won tickets to a Bruce Hornsby and the Range show through a local radio station. Crowded House was the opening act, and I became a fan for life that night.
This just so happened to be the same year I would meet my future bride, who later became a fan as well. I've heard it said that music is the soundtrack of our lives. Crowded House songs fill my soundtrack.
So, this concert was special. It took place at the Tabernacle in Atlanta. Opening the show was the son of CH frontman Neil Finn, Liam. He is in the process of releasing his first solo record and treated the sold out crowd to five or six songs. This 23 year-old was amazing. Out there all alone, he was very impressive. Look for his record in January called I'll Be Lightning.
Next up was Pete Yorn. Now, if you're not familiar with his music, I suggest you get familiar. He rocked. I mean, four guitars...need I say more? A few memorable tunes were "Life on a Chain," "Black," and "For Nancy." Check him out.
Crowded House walked onstage with their new drummer who replaces Paul Hester after he took his own life in 2005. The last time we saw them was during their final tour in 1994. That night in Atlanta was Paul Hester's very last night as a member of the band (one of the best concerts ever). He was leaving the band for unspecified personal reasons.
Back to present day. They opened with "There Goes God" and continued playing a total of 2 1/2 hours, including two encores. The grand finale was "Don't Dream It's Over," which seemed to never end, due to much audience participation. In between the opening and closing songs, the band created terrific music, clearly showcasing Neil's penchant for Beatle-esque sounds. He even jumped into Cat Stevens' Wild World and the band joined in. One of many special moments.
Another moment was just after Neil said, "I'm feeling a strong presence in this room tonight," and then played "Italian Plastic," a song written by Hester.
The band played five songs from their new release Time On Earth, including "Silent House" (which Neil co-wrote with the Dixie Chicks, who also recorded it). The older tune "Better Be Home Soon" was an extended version with much audience sing-alongs and help from Pete Yorn and Co. Son Liam was onstage with dad for much of the show, as well.
Basically, every song was a highlight for me. Definite standouts, though, were "In My Command," "Whispers and Moans," and "Hole in the River." For me, Crowded House was/is a most painfully underrated band. They possess what I refer to as the trifecta: top-notch lyrics/vocals/musicianship. Not many bands go three for three. It still amazes me when I run into those who say, "Who's Crowded House?"
Rumor has it they're heading back into the studio the first of the year. Let the soundtrack continue.
Support act(s): Pete Yorn, Liam Finn
In the company of: Chris
The first time I saw Crowded House live was in Kansas City 20 years ago. They were touring supporting their first album after the break-up of Split Enz. I won tickets to a Bruce Hornsby and the Range show through a local radio station. Crowded House was the opening act, and I became a fan for life that night.
This just so happened to be the same year I would meet my future bride, who later became a fan as well. I've heard it said that music is the soundtrack of our lives. Crowded House songs fill my soundtrack.
So, this concert was special. It took place at the Tabernacle in Atlanta. Opening the show was the son of CH frontman Neil Finn, Liam. He is in the process of releasing his first solo record and treated the sold out crowd to five or six songs. This 23 year-old was amazing. Out there all alone, he was very impressive. Look for his record in January called I'll Be Lightning.
Next up was Pete Yorn. Now, if you're not familiar with his music, I suggest you get familiar. He rocked. I mean, four guitars...need I say more? A few memorable tunes were "Life on a Chain," "Black," and "For Nancy." Check him out.
Crowded House walked onstage with their new drummer who replaces Paul Hester after he took his own life in 2005. The last time we saw them was during their final tour in 1994. That night in Atlanta was Paul Hester's very last night as a member of the band (one of the best concerts ever). He was leaving the band for unspecified personal reasons.
Back to present day. They opened with "There Goes God" and continued playing a total of 2 1/2 hours, including two encores. The grand finale was "Don't Dream It's Over," which seemed to never end, due to much audience participation. In between the opening and closing songs, the band created terrific music, clearly showcasing Neil's penchant for Beatle-esque sounds. He even jumped into Cat Stevens' Wild World and the band joined in. One of many special moments.
Another moment was just after Neil said, "I'm feeling a strong presence in this room tonight," and then played "Italian Plastic," a song written by Hester.
The band played five songs from their new release Time On Earth, including "Silent House" (which Neil co-wrote with the Dixie Chicks, who also recorded it). The older tune "Better Be Home Soon" was an extended version with much audience sing-alongs and help from Pete Yorn and Co. Son Liam was onstage with dad for much of the show, as well.
Basically, every song was a highlight for me. Definite standouts, though, were "In My Command," "Whispers and Moans," and "Hole in the River." For me, Crowded House was/is a most painfully underrated band. They possess what I refer to as the trifecta: top-notch lyrics/vocals/musicianship. Not many bands go three for three. It still amazes me when I run into those who say, "Who's Crowded House?"
Rumor has it they're heading back into the studio the first of the year. Let the soundtrack continue.
78. DAVE MATTHEWS BAND, 9/8/07
Location: Piedmont Park, Atlanta, GA
Support act(s): The Allman Brothers Band
In the company of: Joe B.
Since I'm a self confessed "tree-hugger," this concert was of much importance. My first Green Concert. It was considered a charity event to benefit the Piedmont Park Conservancy. Piedmont Park is Atlanta's answer to Central Park in New York City. It has been one of my favorite places since moving here in 1993.
I've been a DMB fan since they surfaced about thirteen years ago, but have never had the chance to see them live. This was not just a concert, but an event. The mass of humanity on that Saturday night in Piedmont Park numbered around 55,000. Let's just say the Conservancy raised a LOT of money.
Unfortunately, I only overheard the Allman Brothers opening performance. Upon arriving at the park, we decided to have a beverage, grab some food, and use the port-a-potty. The lines for all these things were 20-30 people deep. So, my apologies to the Allmans. By the time Dave took the stage, though, we were ready. It was as good as everyone says, seeing DMB live. He played most of the songs I know, and a few I didn't.
Highlights included Warehouse, What Would You Say, and Too Much.The blankets brought by the thousands of early birds were of no use once Dave started. Everyone was on their feet and dancing the entire evening.
Support act(s): The Allman Brothers Band
In the company of: Joe B.
Since I'm a self confessed "tree-hugger," this concert was of much importance. My first Green Concert. It was considered a charity event to benefit the Piedmont Park Conservancy. Piedmont Park is Atlanta's answer to Central Park in New York City. It has been one of my favorite places since moving here in 1993.
I've been a DMB fan since they surfaced about thirteen years ago, but have never had the chance to see them live. This was not just a concert, but an event. The mass of humanity on that Saturday night in Piedmont Park numbered around 55,000. Let's just say the Conservancy raised a LOT of money.
Unfortunately, I only overheard the Allman Brothers opening performance. Upon arriving at the park, we decided to have a beverage, grab some food, and use the port-a-potty. The lines for all these things were 20-30 people deep. So, my apologies to the Allmans. By the time Dave took the stage, though, we were ready. It was as good as everyone says, seeing DMB live. He played most of the songs I know, and a few I didn't.
Highlights included Warehouse, What Would You Say, and Too Much.The blankets brought by the thousands of early birds were of no use once Dave started. Everyone was on their feet and dancing the entire evening.
77. LYLE LOVETT AND HIS LARGE BAND, 6/15/07
Location: Chastain Park Amphitheatre, Atlanta, GA
Support act(s): k.d. lang
In the company of: Chris
My humble opinion in review form to follow...
Support act(s): k.d. lang
In the company of: Chris
My humble opinion in review form to follow...
76. ARCTIC MONKEYS, 5/19/07
Location: The Tabernacle, Atlanta, GA
Support act(s): some crazy girl singer punk band from TN
In the company of: Chris, Michael T.
My humble opinion in review form to follow...
Support act(s): some crazy girl singer punk band from TN
In the company of: Chris, Michael T.
My humble opinion in review form to follow...
75. BEN GIBBARD, 5/12/07
Location: Center Stage, Atlanta, GA
Support act(s): Jonathan Rice
In the company of: Chris
My humble opinion in review form to follow...
Support act(s): Jonathan Rice
In the company of: Chris
My humble opinion in review form to follow...
74. THE WHO, 11/22/06
Location: The Arena at Gwinnett, Duluth, GA
Support act(s): The Pretenders
In the company of: Chris
My humble opinion in review form to follow...
Support act(s): The Pretenders
In the company of: Chris
My humble opinion in review form to follow...
73. EDITORS, 6/25/06
Location: Roxy Theatre, Atlanta, GA
Support act(s): Lake Trout
In the company of: Chris, Michael T., ladyfriend
My humble opinion in review form to follow...
Support act(s): Lake Trout
In the company of: Chris, Michael T., ladyfriend
My humble opinion in review form to follow...
72. ARCTIC MONKEYS, 6/10/06
Location: The Tabernacle, Atlanta, GA
Support act(s): We Are Scientists
In the company of: Chris, Michael T., ladyfriend
My humble opinion in review form to follow...
Support act(s): We Are Scientists
In the company of: Chris, Michael T., ladyfriend
My humble opinion in review form to follow...
71. DEATH CAB FOR CUTIE, 4/5/06
Location: The Tabernacle, Atlanta, GA
Support act(s): ?
In the company of: Chris
My humble opinion in review form to follow...
Support act(s): ?
In the company of: Chris
My humble opinion in review form to follow...
70. INXS, 2/22/06
Location: Atlanta Civic Center, Atlanta, GA
Support act(s): Marty Casey and the Lovehammers
In the company of: Chris
My humble opinion in review form to follow...
Support act(s): Marty Casey and the Lovehammers
In the company of: Chris
My humble opinion in review form to follow...
69. U2, 11/18/05
Location: Philips Arena, Atlanta, GA
Support act(s): Institute
In the company of: Chris
My humble opinion in review form to follow...
Support act(s): Institute
In the company of: Chris
My humble opinion in review form to follow...
68. COLDPLAY, 9/28/05
Location: Philips Arena, Atlanta, GA
Support act(s): Rilo Kiley
In the company of: Chris
My humble opinion in review form to follow...
Support act(s): Rilo Kiley
In the company of: Chris
My humble opinion in review form to follow...
67. MORRISSEY, 10/22/04
Location: The Tabernacle, Atlanta, GA
Support act(s):
In the company of: Chris
My humble opinion in review form to follow...
Support act(s):
In the company of: Chris
My humble opinion in review form to follow...
66. CHEAP TRICK, Summer/02
Location: Dobbins Air Force Base, Marietta, GA
Support act(s): ?
In the company of: Chris (with second child)
My humble opinion in review form to follow...
Support act(s): ?
In the company of: Chris (with second child)
My humble opinion in review form to follow...
65. U2, 11/30/01
Location: Philips Arena, Atlanta, GA
Support act(s): Garbage
In the company of: Chris
My humble opinion in review form to follow...
Support act(s): Garbage
In the company of: Chris
My humble opinion in review form to follow...
64. U2, 3/30/01
Location: Philips Arena, Atlanta, GA
Support act(s): Nelly Furtado
In the company of: Chris
My humble opinion in review form to follow...
Support act(s): Nelly Furtado
In the company of: Chris
My humble opinion in review form to follow...
63. THE CURE, 5/18/00
Location: Lakewood Amphitheatre, Atlanta, GA
Support act(s):
In the company of: Chris
My humble opinion in review form to follow...
Support act(s):
In the company of: Chris
My humble opinion in review form to follow...
62. STING, 11/7/99
Location: The Fox Theatre, Atlanta, GA
Support act(s): ?
In the company of: Chris
My humble opinion in review form to follow...
Support act(s): ?
In the company of: Chris
My humble opinion in review form to follow...
61. NEIL FINN, 7/19/98
Location: The Variety Playhouse, Atlanta, GA
Support act(s): Ebba Forsberg
In the company of: Chris (with child)
My humble opinion in review form to follow...
Support act(s): Ebba Forsberg
In the company of: Chris (with child)
My humble opinion in review form to follow...
60. B.B. KING, 6/25/97
Location: Chastain Park, Atlanta, GA
Support act(s): Robert Cray, Tower of Power
In the company of: Chris
My humble opinion in review form to follow...
Support act(s): Robert Cray, Tower of Power
In the company of: Chris
My humble opinion in review form to follow...
59. JOHNNY RENO & THE SAX MANIACS, 12/27/96
Location: The Grand Emporium, Kansas City, MO
Support act(s):
In the company of: Chris, Tim S., Susan S.
My humble opinion in review form to follow...
Support act(s):
In the company of: Chris, Tim S., Susan S.
My humble opinion in review form to follow...
58. THE CURE, 9/6/96
Location: Lakewood Amphitheatre, Atlanta, GA
Support act(s): ?
In the company of: Chris
My humble opinion in review form to follow...
Support act(s): ?
In the company of: Chris
My humble opinion in review form to follow...
57. STING, 6/28/96
Location: Lakewood Amphitheatre, Atlanta, GA
Support act(s): ?
In the company of: Chris
My humble opinion in review form to follow...
Support act(s): ?
In the company of: Chris
My humble opinion in review form to follow...
56. B.B. KING, 4/7/95
Location: Center Stage, Atlanta, GA
Support act(s): ?
In the company of: Chris
My humble opinion in review form to follow...
Support act(s): ?
In the company of: Chris
My humble opinion in review form to follow...
55. LIVE, 5/9/94
Location: Roxy Theatre, Atlanta, GA
Support act(s): ?
In the company of: Chris
My humble opinion in review form to follow...
Support act(s): ?
In the company of: Chris
My humble opinion in review form to follow...
54. CROWDED HOUSE, 4/14/94
Location: Roxy Theatre, Atlanta, GA
Support act(s): Sheryl Crow
In the company of: Chris
My humble opinion in review form to follow...
Support act(s): Sheryl Crow
In the company of: Chris
My humble opinion in review form to follow...
53. STEWART COPELAND, 1/22/94
Location: Fox Theatre, Atlanta, GA
Support act(s): Drummers of the World
In the company of: Chris
My humble opinion in review form to follow...
Support act(s): Drummers of the World
In the company of: Chris
My humble opinion in review form to follow...
52. OCTOBER PROJECT, 1/18/94
Location: The Roxy Theatre, Atlanta, GA
Support act(s):
In the company of: Catspaw circle of friends
My humble opinion in review form to follow...
Support act(s):
In the company of: Catspaw circle of friends
My humble opinion in review form to follow...
51. MIDNIGHT OIL, 8/28/93
Location: Lakewood Amphitheatre, Atlanta, GA
Support act(s): Ziggy Marley, Hothouse Flowers, X, An Emotional Fish, Holly Faith
In the company of: Chris
My humble opinion in review form to follow...
Support act(s): Ziggy Marley, Hothouse Flowers, X, An Emotional Fish, Holly Faith
In the company of: Chris
My humble opinion in review form to follow...
50. SPIN DOCTORS, 6/12/93
Location: Lakewood Amphitheatre, Atlanta, GA
Support act(s): Soul Asylum, Screaming Trees
In the company of: Chris
This was our very first concert after moving to Atlanta (actually, about three weeks after our arrival). I had just been employed by Catspaw Productions, a small audio production company. The receptionist had two extra tickets to the show, and I said, "Sure!"
It seemed like driving across the state just to get to Lakewood (now renamed Hi-Fi Buys Amphitheatre). Today, though, it's just a short jaunt. The show was good, with solid support acts. Since then, all three bands have mostly been forgotten, but Soul Asylum had the most critical success.
Support act(s): Soul Asylum, Screaming Trees
In the company of: Chris
This was our very first concert after moving to Atlanta (actually, about three weeks after our arrival). I had just been employed by Catspaw Productions, a small audio production company. The receptionist had two extra tickets to the show, and I said, "Sure!"
It seemed like driving across the state just to get to Lakewood (now renamed Hi-Fi Buys Amphitheatre). Today, though, it's just a short jaunt. The show was good, with solid support acts. Since then, all three bands have mostly been forgotten, but Soul Asylum had the most critical success.
49. TOM PETTY AND THE HEARTBREAKERS, 8/31/91
Location: Municipal Auditorium, Kansas City, MO
Support act(s): ?
In the company of: Chris
My humble opinion in review form to follow...
Support act(s): ?
In the company of: Chris
My humble opinion in review form to follow...
48. STING, 8/23/91
Location: Starlight Theatre, Kansas City, MO
Support act(s): ?
In the company of: Chris...
My humble opinion in review form to follow...
Support act(s): ?
In the company of: Chris...
My humble opinion in review form to follow...
47. BILLY JOEL, 11/21/90
Location: Kemper Arena, Kansas City, MO
Support act(s): ?
In the company of: Chris
My humble opinion in review form to follow...
Support act(s): ?
In the company of: Chris
My humble opinion in review form to follow...
46. THE RAINMAKERS, 9/29/90
Location: Smithville Lake, Smithville, MO
Support act(s): Eddie Money
In the company of: Chris, Russ W., Sheila W.
My humble opinion in review form to follow...
Support act(s): Eddie Money
In the company of: Chris, Russ W., Sheila W.
My humble opinion in review form to follow...
45. THEY MIGHT BE GIANTS, 8/6/90
Location: The Shadow, Kansas City, MO
Support act(s):
In the company of: Chris S.
My humble opinion in review form to follow...
Support act(s):
In the company of: Chris S.
My humble opinion in review form to follow...
44. DAVID BOWIE, 6/9/90
Location: Sandstone Amphitheatre, Bonner Springs, KS
Support act(s): Adrian Belew
In the company of: myself
My humble opinion in review form to follow...
Support act(s): Adrian Belew
In the company of: myself
My humble opinion in review form to follow...
43. THE WHO, 8/5/89
Location: Arrowhead Stadium, Kansas City, MO
Support act(s): ?
In the company of: Chris
My humble opinion in review form to follow...
Support act(s): ?
In the company of: Chris
My humble opinion in review form to follow...
42. NEW ORDER, 6/25/89
Location: Sandstone Amphitheatre, Bonner Springs, KS
Support act(s): Public Image Ltd., The Sugarcubes
In the company of: Chris, Tim S., ladyfriend
Who would've thunk it? Johnny Rotten in Kansas City? This show was a must-see for me, being big fans of all three acts. PiL (Public Image Limited) was fronted by John Lydon, AKA Johnny Rotten. If that name sound familiar, it's because he was the lead singer of the Sex Pistols, arguably one of the most influential bands to bring the punk music scene in the late 70s to an international audience. Remember his bass-playing bandmate, Sid Vicious? If not, rent Sid & Nancy. Reality was never so painful as when you're watching that excellent film. Anyway, Lydon has mellowed a touch since then, although he did throw out many expletives during the concert, mostly insulting the midwest because of the heat and "...all these F#@#ing bugs!" Nevertheless, a great performance.
The Sugarcubes had burst onto the scene from Iceland. Bjork, the lead singer, had a sound like no other woman I'd heard. Their music was new and exciting. Songs like Delicious Demon and Birthday went down musical roads previously traveled by only a few. Bjork still has a solid solo career and a huge following, no matter how crazy you may believe her to be.
The headliners, New Order, were fantastic. Rising from the ashes of Joy Division, New Order has a sound all their own. Combining synthesizers, guitars by Bernard Sumner, a wicked bass by Peter Hook, they they thrilled a Top 40, midwestern town. For me, New Order has many, many great songs which were played for us that night. Among them were Bizarre Love Triangle, Blue Monday, and Age Of Consent.
Support act(s): Public Image Ltd., The Sugarcubes
In the company of: Chris, Tim S., ladyfriend
Who would've thunk it? Johnny Rotten in Kansas City? This show was a must-see for me, being big fans of all three acts. PiL (Public Image Limited) was fronted by John Lydon, AKA Johnny Rotten. If that name sound familiar, it's because he was the lead singer of the Sex Pistols, arguably one of the most influential bands to bring the punk music scene in the late 70s to an international audience. Remember his bass-playing bandmate, Sid Vicious? If not, rent Sid & Nancy. Reality was never so painful as when you're watching that excellent film. Anyway, Lydon has mellowed a touch since then, although he did throw out many expletives during the concert, mostly insulting the midwest because of the heat and "...all these F#@#ing bugs!" Nevertheless, a great performance.
The Sugarcubes had burst onto the scene from Iceland. Bjork, the lead singer, had a sound like no other woman I'd heard. Their music was new and exciting. Songs like Delicious Demon and Birthday went down musical roads previously traveled by only a few. Bjork still has a solid solo career and a huge following, no matter how crazy you may believe her to be.
The headliners, New Order, were fantastic. Rising from the ashes of Joy Division, New Order has a sound all their own. Combining synthesizers, guitars by Bernard Sumner, a wicked bass by Peter Hook, they they thrilled a Top 40, midwestern town. For me, New Order has many, many great songs which were played for us that night. Among them were Bizarre Love Triangle, Blue Monday, and Age Of Consent.
41. THE CHURCH, 10/1/88
Location: Uptown Theatre, Kansas City, MO
Support act(s): ?
In the company of: Chris
My humble opinion in review form to follow...
Support act(s): ?
In the company of: Chris
My humble opinion in review form to follow...
Saturday, November 10, 2007
40. STING, 8/6/88
Location: Starlight Theatre, Kansas City, MO
Support act(s): ?
In the company of: Chris,
My humble opinion in review form to follow...
Support act(s): ?
In the company of: Chris,
My humble opinion in review form to follow...
39. INXS, 6/14/88
Location: Kemper Arena, Kansas City, MO
Support act(s): Steel Pulse
In the company of: Chris, Russ & Sheila
My humble opinion in review form to follow...
Support act(s): Steel Pulse
In the company of: Chris, Russ & Sheila
My humble opinion in review form to follow...
38. DAN FOGELBERG, 6/12/88
Location: Sandstone Amphitheatre, Bonner Springs, KS
Support act(s):
In the company of: Chris (our first concert)
This show owns the distinction of being the first concert I attended with my future bride. Honestly, I would not have forked out the cash for this one, but we'd been dating about one month and Chris was a Dan Fogelberg fan. What would you have done?
I will rack my brain for something substantial to share with you regarding this performance. I do vaguely recall leaving the concert and saying to myself, "That didn't suck."
Support act(s):
In the company of: Chris (our first concert)
This show owns the distinction of being the first concert I attended with my future bride. Honestly, I would not have forked out the cash for this one, but we'd been dating about one month and Chris was a Dan Fogelberg fan. What would you have done?
I will rack my brain for something substantial to share with you regarding this performance. I do vaguely recall leaving the concert and saying to myself, "That didn't suck."
37. STING, 3/7/88
Location: Memorial Hall, Kansas City, MO
Support act(s): Vinx
In the company of: Britt E.?
My humble opinion in review form to follow...
Support act(s): Vinx
In the company of: Britt E.?
My humble opinion in review form to follow...
36. R.E.M., 11/8/87
Location: Memorial Hall, Kansas City, MO
Support act(s): ?
In the company of: ?
My humble opinion in review form to follow...
Support act(s): ?
In the company of: ?
My humble opinion in review form to follow...
35. U2, 10/26/87
Location: Kemper Arena, Kansas City, MO
Support act(s): ?
In the company of: ?
My humble opinion in review form to follow...
Support act(s): ?
In the company of: ?
My humble opinion in review form to follow...
34. CHEAP TRICK, 9/9/87
Location: CMSU Multipurpose Building, Warrensburg, MO
Support act(s): The Elvis Brothers
In the company of: Gregg H. (who else?!)
My humble opinion in review form to follow...
Support act(s): The Elvis Brothers
In the company of: Gregg H. (who else?!)
My humble opinion in review form to follow...
33. PSYCHEDELIC FURS, 8/14/87
Location: Sandstone Amphitheatre, Bonner Springs, KS
Support act(s): The Call
In the company of: ?
My humble opinion in review form to follow...
Support act(s): The Call
In the company of: ?
My humble opinion in review form to follow...
32. BILLY IDOL, 4/30/87
Location: Municipal Auditorium, Kansas City, MO
Support act(s): The Cult
In the company of: Gregg T.
My humble opinion in review form to follow...
But seriously, Ian Astbury is Jim Morrison.
The End.
Support act(s): The Cult
In the company of: Gregg T.
My humble opinion in review form to follow...
But seriously, Ian Astbury is Jim Morrison.
The End.
31. JASON AND THE SCORCHERS, 4/23/87
Location: Parody Hall, Kansas City, MO
Support act(s): Absolute Ceiling
In the company of: ?
My humble opinion in review form to follow...
Support act(s): Absolute Ceiling
In the company of: ?
My humble opinion in review form to follow...
30. BRUCE HORNSBY AND THE RANGE, 3/7/87
Location: Memorial Hall, Kansas City, MO
Support act(s): Crowded House
In the company of: Britt E.
My humble opinion in review form to follow...
Support act(s): Crowded House
In the company of: Britt E.
My humble opinion in review form to follow...
29. THE RAINMAKERS, 1/17/87
Location: Hendricks Hall, Warrensburg, MO
Support act(s): The Nace Brothers
In the company of: Gregg H.
My humble opinion in review form to follow...
Support act(s): The Nace Brothers
In the company of: Gregg H.
My humble opinion in review form to follow...
28. THE RAINMAKERS, 12/31/86
Location: The Uptown Theatre, Kansas City, MO
Support act(s):
In the company of: Gregg T., Gregg H., Tony S.
My humble opinion in review form to follow...
Support act(s):
In the company of: Gregg T., Gregg H., Tony S.
My humble opinion in review form to follow...
27. THE PRODUCERS, 11/12/86
Location: The Lone Star
Support act(s): The Clique?
In the company of: Gregg H.?
My humble opinion in review form to follow...
Support act(s): The Clique?
In the company of: Gregg H.?
My humble opinion in review form to follow...
26. BEAT RODEO, 10/21/86
Location: The Lone Star
Support act(s): Spike and the Trailriders
In the company of: Gregg H.?
My humble opinion in review form to follow...
Support act(s): Spike and the Trailriders
In the company of: Gregg H.?
My humble opinion in review form to follow...
25. R.E.M., 10/11/86
Location: Memorial Hall, Kansas City, MO
Support act(s): Camper Van Beethoven
In the company of: ?
My humble opinion in review form to follow...
Support act(s): Camper Van Beethoven
In the company of: ?
My humble opinion in review form to follow...
23. INXS, 8/23/86
Location: Memorial Hall, Kansas City, MO
Support act(s): Del Fuegos
In the company of: ?
My humble opinion in review form to follow...
Support act(s): Del Fuegos
In the company of: ?
My humble opinion in review form to follow...
22. STARSHIP, 8/16/86
Location: Sandstone Amphitheatre, Bonner Springs, KS
Support act(s): The Outfield
In the company of: Kelly and Carolyn
My humble opinion in review form to follow...
Support act(s): The Outfield
In the company of: Kelly and Carolyn
My humble opinion in review form to follow...
21. THE EVERLY BROTHERS, 8/7/86
Location: Sandstone Amphitheatre, Bonner Springs, KS
Support act(s): ?
In the company of: some girl
My humble opinion in review form to follow...
Support act(s): ?
In the company of: some girl
My humble opinion in review form to follow...
20. THE BoDEANS, 5/20/86
Location: Parody Hall, Kansas City, MO
Support act(s):
In the company of: ?
My humble opinion in review form to follow...
Support act(s):
In the company of: ?
My humble opinion in review form to follow...
19. SIMPLE MINDS, 5/9/86
Location: Starlight Theatre, Kansas City, MO
Support act(s): The Call
In the company of: Gregg H.
My Scottish brethren Simple Minds were on a career high, with "Don't You Forget About Me" a worldwide fave after 1985's "The Breakfast Club" featured it during end credits (you saw it, admit it). Still riding high from their career best album, "Once Upon A Time," Simple Minds played all the hits and then some. This was around the time that lead singer Jim Kerr was married to Pretenders' frontperson Chrissie Hynde. For what it's worth.
Michael Been and The Call, one of rock's most underrated bands, rocked some socks with their music. A worthy opener.
Support act(s): The Call
In the company of: Gregg H.
My Scottish brethren Simple Minds were on a career high, with "Don't You Forget About Me" a worldwide fave after 1985's "The Breakfast Club" featured it during end credits (you saw it, admit it). Still riding high from their career best album, "Once Upon A Time," Simple Minds played all the hits and then some. This was around the time that lead singer Jim Kerr was married to Pretenders' frontperson Chrissie Hynde. For what it's worth.
Michael Been and The Call, one of rock's most underrated bands, rocked some socks with their music. A worthy opener.
18. LOVERBOY, 3/21/86
Location: Municipal Auditorium, Kansas City, MO
Support act(s): The Hooters
In the company of: invited by some girl
This was a result of my fleeting Top 40 weakness. These guys were all over the radio, which later in life was something that would abhor in a band completely. But the crowd was into it and a chance to hear "Take Me To The Top" and "Lady Of The 80s" made it alright.
The Hooters played "And We Danced."
Support act(s): The Hooters
In the company of: invited by some girl
This was a result of my fleeting Top 40 weakness. These guys were all over the radio, which later in life was something that would abhor in a band completely. But the crowd was into it and a chance to hear "Take Me To The Top" and "Lady Of The 80s" made it alright.
The Hooters played "And We Danced."
17. R.E.M., 11/17/85
Location: Kiel Opera House, St. Louis, MO
Support act(s): 10,000 Maniacs
In the company of: Dee Ann and friends
After recently becoming a student of R.E.M., this was a night I was excited about. I traveled to St. Louis from Kansas City (about a four-hour drive) to witness a band that would jump high on my list of favorite groups after this evening. Touring in support of their excellent "Fables of the Reconstruction," R.E.M. kicked off the show with "Feeling Gravity's Pull." I remember this because I was in line in the boys' room when I heard the first notes on Peter Buck's guitar. Needless to say, I held it and ran to my seat.
Michael Stipe, who did a lot of "murmuring" on earlier albums, was beginning to come out of his vocal shell. Lyrics were more understandable, and with good results: we could all hear what he was singing and thus realized his tremendous songwriting skills.
Natalie Merchant and 10,000 Maniacs exhibited very suitable sounds for the opening gig.
Support act(s): 10,000 Maniacs
In the company of: Dee Ann and friends
After recently becoming a student of R.E.M., this was a night I was excited about. I traveled to St. Louis from Kansas City (about a four-hour drive) to witness a band that would jump high on my list of favorite groups after this evening. Touring in support of their excellent "Fables of the Reconstruction," R.E.M. kicked off the show with "Feeling Gravity's Pull." I remember this because I was in line in the boys' room when I heard the first notes on Peter Buck's guitar. Needless to say, I held it and ran to my seat.
Michael Stipe, who did a lot of "murmuring" on earlier albums, was beginning to come out of his vocal shell. Lyrics were more understandable, and with good results: we could all hear what he was singing and thus realized his tremendous songwriting skills.
Natalie Merchant and 10,000 Maniacs exhibited very suitable sounds for the opening gig.
16. STING, 8/31/85
Location: Sandstone Amphitheatre, Bonner Springs, KS
Support act(s): ?
In the company of: Gregg H.
This was Sting's first solo tour, supporting his first solo album, "The Dream of the Blue Turtles." The outdoor venue was the perfect setting for my then fave performer. This would be the first time I heard Sting perform Police classics on his own. As he always does, Sting steered clear of regurgitating the songs as they were recorded. He is a phenomenal musician and puts a different slant on each song each time you see him.
I don't recall the set list or even if he had an opener, but he was the main ticket that night.
Support act(s): ?
In the company of: Gregg H.
This was Sting's first solo tour, supporting his first solo album, "The Dream of the Blue Turtles." The outdoor venue was the perfect setting for my then fave performer. This would be the first time I heard Sting perform Police classics on his own. As he always does, Sting steered clear of regurgitating the songs as they were recorded. He is a phenomenal musician and puts a different slant on each song each time you see him.
I don't recall the set list or even if he had an opener, but he was the main ticket that night.
15. THE PRETENDERS, 8/23/84
Location: Starlight Theatre, Kansas City, MO
Support act(s): Simple Minds
In the company of: Gregg H. and two other guys
The two other guys were the reason our brains were swimming. And it was not the beer. Oh, our childish ways...
Touring in support of their best album ever, "Learning To Crawl," the Pretenders rocked in a big way that night. Chrissie Hynde was more of a man than most of us in the crowd. She kicked ass. The concert was one of my most memorable and the reason why I'll always say that I love the Pretenders.
Openers Simple Minds (headed by Chrissie's hubby, Scotland's Jim Kerr) was also at the top of their game, just months before the release of their great "Alive and Kicking." This was two great shows in one. It was a nice, warm Kansas City evening under the stars. Good times.
Support act(s): Simple Minds
In the company of: Gregg H. and two other guys
The two other guys were the reason our brains were swimming. And it was not the beer. Oh, our childish ways...
Touring in support of their best album ever, "Learning To Crawl," the Pretenders rocked in a big way that night. Chrissie Hynde was more of a man than most of us in the crowd. She kicked ass. The concert was one of my most memorable and the reason why I'll always say that I love the Pretenders.
Openers Simple Minds (headed by Chrissie's hubby, Scotland's Jim Kerr) was also at the top of their game, just months before the release of their great "Alive and Kicking." This was two great shows in one. It was a nice, warm Kansas City evening under the stars. Good times.
14. THE CARS, 8/16/84
Location: Kemper Arena, Kansas City, MO
Support act(s): Wang Chung
In the company of: Gregg H.
"Everybody have fun tonight / Everybody Wang Chung tonight." After that song, most were done with the supporting act. But, they did have some more gems, like "Dance Hall Days," "Wait," and "To Live And Die In L.A."
On to the Cars. Of all the shows I've been to, no one interacted LESS with the audience than the Cars that evening. It was weird. I don't recall anyone in the band uttering a word besides their song lyrics. Were they that arrogant or that nervous? A little of both? Nonetheless, it was a great show with near perfection in every song. Love that band. Funny, if you knew them before the Cars when they were Milkwood, you'd be surprised. Mellow folk music. They evolved and adapted very well to the times.
Support act(s): Wang Chung
In the company of: Gregg H.
"Everybody have fun tonight / Everybody Wang Chung tonight." After that song, most were done with the supporting act. But, they did have some more gems, like "Dance Hall Days," "Wait," and "To Live And Die In L.A."
On to the Cars. Of all the shows I've been to, no one interacted LESS with the audience than the Cars that evening. It was weird. I don't recall anyone in the band uttering a word besides their song lyrics. Were they that arrogant or that nervous? A little of both? Nonetheless, it was a great show with near perfection in every song. Love that band. Funny, if you knew them before the Cars when they were Milkwood, you'd be surprised. Mellow folk music. They evolved and adapted very well to the times.
13. GENESIS, 1/29/84
Location: Kemper Arena, Kansas City, MO
Support act(s): ?
In the company of: Gregg H.
Still trying to remember who opened. Maybe no one. Anyway, this was a great show. Genesis was enjoying some of their greatest success in support of the Abacab album, which is one of my faves, as far as Genesis goes.
Not much else to share with you. Obviously not a life-altering experience or I'd have a story.
Support act(s): ?
In the company of: Gregg H.
Still trying to remember who opened. Maybe no one. Anyway, this was a great show. Genesis was enjoying some of their greatest success in support of the Abacab album, which is one of my faves, as far as Genesis goes.
Not much else to share with you. Obviously not a life-altering experience or I'd have a story.
12. THE POLICE, 11/24/83
Location: Kemper Arena, Kansas City, MO
Support act(s): UB40
In the company of: Gregg H.
After having seen them this past summer in St. Louis, I knew what to expect. This was a band at the pinnacle of success...God, they knocked "Thriller" out of the number one spot! What's not to love? Sadly for all Police fans, this was to be their final world tour for many years.
Looking into my crystal ball, I predict they'll regroup and do it all again in 24 years!
UB40 sang "Red Red Wine." But a nice change from the usual Police opener Joan Jett. Enough already.
Support act(s): UB40
In the company of: Gregg H.
After having seen them this past summer in St. Louis, I knew what to expect. This was a band at the pinnacle of success...God, they knocked "Thriller" out of the number one spot! What's not to love? Sadly for all Police fans, this was to be their final world tour for many years.
Looking into my crystal ball, I predict they'll regroup and do it all again in 24 years!
UB40 sang "Red Red Wine." But a nice change from the usual Police opener Joan Jett. Enough already.
11. CHEAP TRICK, 11/19/83
Location: Memorial Hall, Kansas City, KS
Support act(s): Aldo Nova, Danny Spanos
In the company of: Gregg H.
Okay, just talked to Gregg who informed me that Danny Spanos opened for Aldo, who opened for the Tricksters. As you all know, Spanos was the drummer for the 70s group Redbone. As you also may know, he played drums on the TV them to "Starsky and Hutch." There's some trivia that NO ONE knows. And finally, something else you don't know (stolen from Wikipedia): As a songwriter, Nova's recent hits include Clay Aiken's "This is the Night" (co-written with Chris Braide and Gary Burr), which in the US was a #1 hit and the best-selling single of 2003. Ouch.
Aldo Nova could be considered a one-hit wonder with the hit "Fantasy." My car in college was a '77 Chevy Nova. It was orange and it was named - wait for it - Aldo. But neither Danny nor Aldo could hold a candle to the loud rockness of Cheap Trick. If you've seen these guys in concert, you know they turn it up loud. Sometimes it's beyond loud and all you hear is distortion. Ted Nugent should loan them his hearing aid...they've GOT to need it more.
Support act(s): Aldo Nova, Danny Spanos
In the company of: Gregg H.
Okay, just talked to Gregg who informed me that Danny Spanos opened for Aldo, who opened for the Tricksters. As you all know, Spanos was the drummer for the 70s group Redbone. As you also may know, he played drums on the TV them to "Starsky and Hutch." There's some trivia that NO ONE knows. And finally, something else you don't know (stolen from Wikipedia): As a songwriter, Nova's recent hits include Clay Aiken's "This is the Night" (co-written with Chris Braide and Gary Burr), which in the US was a #1 hit and the best-selling single of 2003. Ouch.
Aldo Nova could be considered a one-hit wonder with the hit "Fantasy." My car in college was a '77 Chevy Nova. It was orange and it was named - wait for it - Aldo. But neither Danny nor Aldo could hold a candle to the loud rockness of Cheap Trick. If you've seen these guys in concert, you know they turn it up loud. Sometimes it's beyond loud and all you hear is distortion. Ted Nugent should loan them his hearing aid...they've GOT to need it more.
10. THE POLICE, 7/24/83
Location: The Checkerdome, St. Louis, MO
Support act(s): Joan Jett and the Blackhearts
In the company of: Eric G.
For this, my second Police show, I was now in full-fledged awe. It was the Synchronicity tour and it was fantastic. I made the road trip to St. Louis and picked up my friend Eric. Again, Joan Jett opened and did a fine job. But the obvious attraction was the Police, the then "Biggest Band in the World."
Here's a good trivia question for you: What album dethroned Michael Jackson's "Thriller" from the #1 spot on Billboard where it had lived for months? You guessed it. And what an album it was.
Support act(s): Joan Jett and the Blackhearts
In the company of: Eric G.
For this, my second Police show, I was now in full-fledged awe. It was the Synchronicity tour and it was fantastic. I made the road trip to St. Louis and picked up my friend Eric. Again, Joan Jett opened and did a fine job. But the obvious attraction was the Police, the then "Biggest Band in the World."
Here's a good trivia question for you: What album dethroned Michael Jackson's "Thriller" from the #1 spot on Billboard where it had lived for months? You guessed it. And what an album it was.
9. JOURNEY, 7/12/83
Location: Kemper Arena, Kansas City, MO
Support act(s): Bryan Adams
In the company of: some girl
So, some girl - a friend of a friend I think - needed a date for her extra Journey ticket. I reluctantly (yeah right) agreed. It was a sob fest, with her boo-hooing throughout every Journey love song. Seriously. My only joy was in the music, and I did enjoy the concert. I had already made my move from the high school years' rock fanaticism of AC/DC, Journey, Rush, etc. to the frat-induced "new wave" obsession. But, it still was an entertaining show, with Steve Perry's high-flying voice. And, of course, the top 40 champion Bryan Adams ("Cuts Like A Knife" tour) opening the show. It could have been worse.
Anyway, tossed the phone number, kept the ticket stub. Never saw the girl again.
Support act(s): Bryan Adams
In the company of: some girl
So, some girl - a friend of a friend I think - needed a date for her extra Journey ticket. I reluctantly (yeah right) agreed. It was a sob fest, with her boo-hooing throughout every Journey love song. Seriously. My only joy was in the music, and I did enjoy the concert. I had already made my move from the high school years' rock fanaticism of AC/DC, Journey, Rush, etc. to the frat-induced "new wave" obsession. But, it still was an entertaining show, with Steve Perry's high-flying voice. And, of course, the top 40 champion Bryan Adams ("Cuts Like A Knife" tour) opening the show. It could have been worse.
Anyway, tossed the phone number, kept the ticket stub. Never saw the girl again.
8. TOTO, 7/22/82
Location: The Midland Theater, Kansas City, MO
Support act(s): Missouri
In the company of: Gregg H.
Another concert with Top 40 hits, Toto put on a nice show. In support of their album "Toto IV," they sang "Rosanna" and "Africa," among others. Great songwriting and vocals, the crowd was all into it.
Locals Missouri, performing their one-hit-wonder "Movin' On," were sufficient.
Support act(s): Missouri
In the company of: Gregg H.
Another concert with Top 40 hits, Toto put on a nice show. In support of their album "Toto IV," they sang "Rosanna" and "Africa," among others. Great songwriting and vocals, the crowd was all into it.
Locals Missouri, performing their one-hit-wonder "Movin' On," were sufficient.
7. THE GO-GOS, 10/3/82
Location: Municipal Auditorium, Kansas City, MO
Support act(s): Flock of Seagulls
In the company of: Dave K., his sister and her friend
A last minute offer to see the Go-Gos was offered and I accepted. They were hot at the time supporting their "Beauty and the Beat" album. It was an energized show and lots of fun.
Flock of Seagulls opened and thrilled me a little more than the girls. Wild hair and all, these guys were great. Singing "I Ran" and "Photograph," it was a new wave party.
Support act(s): Flock of Seagulls
In the company of: Dave K., his sister and her friend
A last minute offer to see the Go-Gos was offered and I accepted. They were hot at the time supporting their "Beauty and the Beat" album. It was an energized show and lots of fun.
Flock of Seagulls opened and thrilled me a little more than the girls. Wild hair and all, these guys were great. Singing "I Ran" and "Photograph," it was a new wave party.
6. THE POLICE, 3/25/82
Location: Kemper Arena, Kansas City, MO
Support act(s): Joan Jett and the Blackhearts
In the company of:
Having recently become a Police fan, this was my first Police show. In support of their fourth studio album "Ghost In The Machine," they created an energy that Kemper Arena had not experienced before. I had begun loving their albums, now I saw them live. This threesome was fast on the way of becoming my all-time favorite band.
With the hits "Every Little Thing She Does Is Magic," "Invisible Sun," and the title track, they were gearing up to record their final album and masterpiece.
Oh yeah, Joan Jett did fine.
Support act(s): Joan Jett and the Blackhearts
In the company of:
Having recently become a Police fan, this was my first Police show. In support of their fourth studio album "Ghost In The Machine," they created an energy that Kemper Arena had not experienced before. I had begun loving their albums, now I saw them live. This threesome was fast on the way of becoming my all-time favorite band.
With the hits "Every Little Thing She Does Is Magic," "Invisible Sun," and the title track, they were gearing up to record their final album and masterpiece.
Oh yeah, Joan Jett did fine.
5. ROD STEWART, 1/30/82
Location: Kemper Arena, Kansas City, MO
Support act(s): ?
In the company of: Gregg H., Kitty H., Butch H.
Upon arriving for a visit a few months earlier, my buddy Gregg informed me we'd be camping out at Caper's Corner that Friday night. Caper's was a record store/ticket outlet. Way before internet ticketing. So, we slept in the car that cold night, with only Boone's Farm to keep up warm. When we awoke, there were a few people already lined up at the door. We imagined them tiptoeing past our car while we slept.
Anyway, Rod did not disappoint at the concert. One of the great shows I saw in the 80s, Rod was all over the stage, frequently throwing the mic stand at least 20 feet in the air and catching it. He was promoting his huge "Tonight I'm Yours" album with the #5 hit "Young Turks." We were on the floor around the 19th row. Great time.
Support act(s): ?
In the company of: Gregg H., Kitty H., Butch H.
Upon arriving for a visit a few months earlier, my buddy Gregg informed me we'd be camping out at Caper's Corner that Friday night. Caper's was a record store/ticket outlet. Way before internet ticketing. So, we slept in the car that cold night, with only Boone's Farm to keep up warm. When we awoke, there were a few people already lined up at the door. We imagined them tiptoeing past our car while we slept.
Anyway, Rod did not disappoint at the concert. One of the great shows I saw in the 80s, Rod was all over the stage, frequently throwing the mic stand at least 20 feet in the air and catching it. He was promoting his huge "Tonight I'm Yours" album with the #5 hit "Young Turks." We were on the floor around the 19th row. Great time.
4. JOAN JETT AND THE BLACKHEARTS, 1/29/82
Location: Memorial Hall, Kansas City, KS
Support act(s): ?
In the company of: ?
Riding the wave on their first and biggest hit, "I Love Rock and Roll," Joan Jett and her Blackhearts were the new sound of rock music.
No idea on who, if anyone, opened for her.
Support act(s): ?
In the company of: ?
Riding the wave on their first and biggest hit, "I Love Rock and Roll," Joan Jett and her Blackhearts were the new sound of rock music.
No idea on who, if anyone, opened for her.
3. ELECTRIC LIGHT ORCHESTRA, 10/28/81
Location: Kemper Arena, Kansas City, MO
Support act(s): Hall and Oates
In the company of: Russ W.
After loving ELO throughout high school, I finally got the opportunity to see them live after starting college. This was the Time tour and it was awesome. They played all the hits and had a great sound thanks to the musical genius of Jeff Lynne.
Also hot at the time were Hall and Oates who also satisfied.
Support act(s): Hall and Oates
In the company of: Russ W.
After loving ELO throughout high school, I finally got the opportunity to see them live after starting college. This was the Time tour and it was awesome. They played all the hits and had a great sound thanks to the musical genius of Jeff Lynne.
Also hot at the time were Hall and Oates who also satisfied.
2. CHEAP TRICK, 3/14/81
Location: Stephens Assembly Hall, Columbia, MO
Support act(s): ?
In the company of: Kathy R., Gregg H., Bev Y.
The Stephens Assembly Hall is not much more than a large lecture room. So it was loud. I recall sitting in the back of the floor section and being deafened. This was my first time seeing Cheap Trick and would see them a few more. Great live band.
Support act(s): ?
In the company of: Kathy R., Gregg H., Bev Y.
The Stephens Assembly Hall is not much more than a large lecture room. So it was loud. I recall sitting in the back of the floor section and being deafened. This was my first time seeing Cheap Trick and would see them a few more. Great live band.
1. REO SPEEDWAGON, 4/19/80
Location: The Hearnes Center, Columbia, MO
Support act(s): Point Blank
In the company of: Martha L., Philip L., Norma J.
This was the first rock concert I ever attended. We were wrapping up our junior year of high school and the world was our oyster. REO Speedwagon was touring in promotion of the great "Hi Infidelity" album. While memories of this show are expectedly fuzzy, I do remember where we were sitting and never having heard of the opening group, Point Blank (I'm guessing the name of the band describes the range at which they must have perished, since they were never heard from again).
Anyway, I'm gonna go out on a limb here and say that REO probably played selections from their new album such as "Keep On Loving You" and "Don't Let Him Go." Furthermore, I'm sure we rocked out with them on "Ridin' the Storm Out," "Roll With the Changes," and "Time for Me to Fly." I'm also sure we experienced lightheadedness and delirium from the secondhand "smoke." Kevin Cronin probably made small talk about Missouri and how we have the best fans anywhere. And after glancing at the back of his guitar, Gary Richrath most likely exclaimed, "Good night, Columbia!"
As more memories surface from this interesting period of my life, I will share.
Support act(s): Point Blank
In the company of: Martha L., Philip L., Norma J.
This was the first rock concert I ever attended. We were wrapping up our junior year of high school and the world was our oyster. REO Speedwagon was touring in promotion of the great "Hi Infidelity" album. While memories of this show are expectedly fuzzy, I do remember where we were sitting and never having heard of the opening group, Point Blank (I'm guessing the name of the band describes the range at which they must have perished, since they were never heard from again).
Anyway, I'm gonna go out on a limb here and say that REO probably played selections from their new album such as "Keep On Loving You" and "Don't Let Him Go." Furthermore, I'm sure we rocked out with them on "Ridin' the Storm Out," "Roll With the Changes," and "Time for Me to Fly." I'm also sure we experienced lightheadedness and delirium from the secondhand "smoke." Kevin Cronin probably made small talk about Missouri and how we have the best fans anywhere. And after glancing at the back of his guitar, Gary Richrath most likely exclaimed, "Good night, Columbia!"
As more memories surface from this interesting period of my life, I will share.
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