The 2010 musical year in review was a rich one. It seemed to witness a huge leap for the indie music world, with more and more bands getting their sound out there via the Internet. No more fishing for big record label contracts. The 21st century technology has been kind to up-and-coming bands. Following are ten shows that you should have seen with a snippit from each review. Most of these acts are not considered radio staples, but probably should be. Go to the links for each concert to read my full review (shows are listed chronologically).
SPOON at the Tabernacle in Atlanta, 3/20/10 - "While Spoon has had their ups and downs, it seems as if they’re in for a future of 'ups.' On this night, Spoon was the tightest four-piece on the planet. Even with two encores, the band left fans wanting more." http://http://www.examiner.com/music-in-atlanta/spoon-rock-the-tabernacle
THE RUBY SUNS at the Drunken Unicorn in Atlanta, 3/22/10 - "Touring in support of their third studio album, Fight Softly (Sub Pop), the Ruby Suns spun some foot-tapping songs combining indie rock with world beats. At times, all three members were banging on drums. But usually, the tunes were made up of two synths and a drummer. With danceable beats and McPhun’s smooth voice, it frequently seemed as if all these people were enjoying an 80s new wave performance…in Hawaii." http://http://www.examiner.com/music-in-atlanta/ruby-suns-bring-the-tropics-to-atlanta
WILCO at the Fox Theatre in Atlanta, 3/26/10 - "As the evening progressed, the fans remained standing. The lush padding of the Fabulous Fox Theatre’s comfy seats was never utilized. The crowd stood the entire show (even much of the balcony). Tweedy recognized this and was impressed." http://http://www.examiner.com/music-in-atlanta/wilco-the-experience
VAMPIRE WEEKEND at the Tabernacle in Atlanta, 4/8/10 - "The band opened the show with the heavily-Paul Simon-influenced 'White Sky' from Contra. Next up was the ultra-manic 'Holiday.' The crowd, already whipped into a seemingly uncontrollable frenzy, would not stop moving and jumping and singing until show’s end." http://http://www.examiner.com/music-in-atlanta/vampire-weekend-live-atlanta
ARCADE FIRE at Verizon Wireless Amphitheatre in Alpharetta, 8/11/10 - "Audience participation was mind-blowing and that only made for a better show. Win Butler and company have made a fantastic new record, and fortunately for us, know how to play it live. The show ended with Arcade Fire's signature song from their first album. 'Wake Up' is one of those anthems that is instantly hummable and never forgettable. What a way to end the night." http://http://www.examiner.com/music-in-atlanta/arcade-fire-and-spoon-burn-up-alpharetta
ORYX + CRAKE at the EARL in Atlanta, 8/28/10 - "If you've heard the CD by now (and you should have heard it by now), you'll know that these are nine of the most talented musicians around. And live versions of the nine songs performed came out a bit edgier than those recorded. It was clear that the members of Oryx + Crake were pumped. Audience fervor is the only thing that overshadowed the band members' enthusiam. It was a full house of an appreciative and supportive crowd." http://http://www.examiner.com/music-in-atlanta/oryx-crake-have-arrived
CROWDED HOUSE at the House of Blues in Chicago, 9/5/10 - "The second song was 'Mean To Me,' from their 1986 debut album. This rocked even harder, with Finn's voice as perfect - if not better - than it ever was. And he is one of the most underrated and superbly skilled guitar players out there. Of course, his songwriting is the only thing that surpasses his voice and guitar work. He is frequently compared to Lennon and McCartney for a very good reason." http://http://www.examiner.com/music-in-atlanta/genius-of-crowded-house-proven-yet-again
JAMES at the Variety Playhouse in Atlanta, 9/22/10 - "During 'Say Something,' Booth traversed his way through the audience, shaking hands and walking down a row of seats across the armrests. At song's end, he was quite a distance from the stage, yelling to bandmates, 'What's the next song? What's the next song!' Then, the opening chords of 'Laid' began to a roaring crowd. He hastily made his way back to the stage and brought the house down with this excellent song." http://http://www.examiner.com/music-in-atlanta/james-return-to-atlanta-and-feel-the-love
PAVEMENT at the Tabernacle in Atlanta, 9/26/10 - "While Pavement never had a #1 hit, 'Cut Your Hair' and 'Gold Soundz' may have been close, as far as fans are concerned. Malkmus comes across reminiscent of a Stop Making Sense era David Byrne, with his quirky mannerisms and jumpy moves. He does, however, put everything he's got into his performance." http://http://www.examiner.com/music-in-atlanta/pavement-burn-through-atlanta-on-reunion-tour
LCD SOUNDSYSTEM at the Tabernacle in Atlanta, 10/4/10 - "One more decibal plus one more jumping fan would have seen the crowd plummet to the basement. Murphy, with all his youthful exuberance (he's a very young 40) and high octane energy, was exhausted at song's end, doubling over with hands on knees and huffing like a chain smoker. The fans felt the same way. And the show was off to a smashing start." http://http://www.examiner.com/music-in-atlanta/lcd-soundsystem-show-everyone-else-how-a-live-show-is-done
The new year of 2011 has some big shoes to fill. Better get started.
Showing posts with label Crowded House. Show all posts
Showing posts with label Crowded House. Show all posts
Tuesday, April 12, 2011
Monday, April 11, 2011
Genius of Crowded House proven yet again
Live Review: Crowded House at The House of Blues in Chicago, 9/5/10
Neil Finn has been one of the planet's most talented singer-songwriters since 1980, when he brought his brother Tim's band, Split Enz, into the mainstream with fine songs such as "I Got You," and "One Step Ahead." Once that ran its course, Finn grouped with Nick Seymour and the late Paul Hester forming Crowded House in 1984.
Fast forward 26 years to the House of Blues in Chicago, with Crowded House on tour promoting their sixth studio album Intriguer. Opener "I Feel Possessed" kicked off the festivities at the sold out venue. Like many Finn-penned tunes, this classic begins innocently enough then shifts into a higher gear. But on this night in Chicago, Crowded House shifted nearly every song into hyperspace gear. This was the most rocking show by the band ever witnessed by this reviewer (and he's seen Finn perform six times). It's as if they wanted to prove their relevance to an ever-changing musical landscape, staying young all the while.
The second song was "Mean To Me," from their 1986 debut album. This rocked even harder, with Finn's voice as perfect - if not better - than it ever was. And he is one of the most underrated and superbly skilled guitar players out there. Of course, his songwriting is the only thing that surpasses his voice and guitar work. He is frequently compared to Lennon and McCartney for a very good reason.
Several songs from Intriguer made the cut including the excellent "Archer's Arrows" and "Either Side Of The World." Strangely, the lead-off single from the album, "Saturday Sun," was left off the set list. Neil was in top form, even bopping up and down on some songs and having a fantastically enjoyable time - as did all bandmates (bassist Nick Seymour, multi-instrumentalist Mark Hart, and drummer Matt Sherrod). Always smiling, joking, and laughing, these guys love playing together and it shows.
At one point, it appeared that Neil had the wrong guitar. To kill some time, Mark Hart sang a soulful and bluesy version of CCR's "Born On The Bayou" (definitely an ode to that whole House of Blues thing).
Neil is also one of the best at banter and is funny as hell. He had been sporting a not-so-excellent mustache for the past couple months and was clean-shaven on this evening. Between songs, a fan yelled, "Thanks for shaving!" To which Neil replied, "Thanks for shaving? Have you not learned anything from me over the years? The mustache is back on Monday morning!"
It was evident that the packed house was packed with serious CH fans. On most songs, the foursome was accompanied by a roomful of voices, not missing a word. Finn is famous for his call-and-response moments. And he always tells the crowd that they sounded beautiful.
After a rousing and rocking performance, the boys returned for a fantastic encore. On the stage was a rolled up poster. Neil picked it up, read it, then showed it to the fans. It read, "PLEASE PLAY ONE STEP AHEAD." This was a song from his days with brother Tim Finn's group Split Enz. He then said, "Let's put it to a vote...I'll play the beginning guitar parts from "One Step Ahead" and "I Got You" (another Split Enz tune). He played, the fans voted, and "I Got You" won it. Not before, though, Mark Hart whispered something in Neil's ear. Neil then announced that it was Rodney's birthday and Rodney likes that song (Rodney is on the CH crew). The band then ripped through a scorching version of "I Got You." It was surely the most scorching and excellent version of that song ever played.
As Crowded House passed the two-hour mark and were deep into the encore set, Neil looked to his left and exclaimed, "There he is!" He then asked the audience if they would like to meet his Dad, to which we all responded with cheers and applause. Neil walked over, picked up a laptop, and brought it back to center stage. "Ladies and gentlemen, Mr. Richard Finn." And there was his old man, waving at us on that laptop screen, all the way from Auckland, New Zealand. Neil was grinning from ear to ear. Mr. Finn then, peering out over the crowd, said "Looks to be 20-30 people there!" Neil simultaneously smiled, blushed, and beamed with pride. As the beginning notes of the final song were played, Neil said, "This one's for you, Dad." "Better Be Home Soon" was that song.
For the average fan in attendance, initiation was at hand. For the die-hard fan, this night was glorious and could never be repeated. One can dream, though.
Fellow New Zealanders Lawrence Arabia opened the show and complemented the headliners nicely. What started off like country rock (a tad Wilco-ish) turned poppy, and the quintet really heated the place up. Their single "Apple Pie Bed" fell somewhere between the Crowded House and Squeeze sound and was an audience favorite.
Members of the band, along with Eliza-Jane Barnes (who records and tours with Neil's son Liam) were also onstage to nail "Weather With You."
Set List:
I Feel Possessed
Mean To Me
Twice If You're Lucky
Either Side Of The World
Don't Stop Now
Fall At Your Feet
It's Only Natural
Whispers And Moans
Isolation
Archer's Arrows
Chocolate Cake
Elephants
Born On The Bayou
Nails In My Feet
Hole In The River
Don't Dream It's Over
When You Come
In My Command
Encore
Four Seasons In One Day
Locked Out
I Got You
Weather With You
Better Be Home Soon
Neil Finn has been one of the planet's most talented singer-songwriters since 1980, when he brought his brother Tim's band, Split Enz, into the mainstream with fine songs such as "I Got You," and "One Step Ahead." Once that ran its course, Finn grouped with Nick Seymour and the late Paul Hester forming Crowded House in 1984.
Fast forward 26 years to the House of Blues in Chicago, with Crowded House on tour promoting their sixth studio album Intriguer. Opener "I Feel Possessed" kicked off the festivities at the sold out venue. Like many Finn-penned tunes, this classic begins innocently enough then shifts into a higher gear. But on this night in Chicago, Crowded House shifted nearly every song into hyperspace gear. This was the most rocking show by the band ever witnessed by this reviewer (and he's seen Finn perform six times). It's as if they wanted to prove their relevance to an ever-changing musical landscape, staying young all the while.
The second song was "Mean To Me," from their 1986 debut album. This rocked even harder, with Finn's voice as perfect - if not better - than it ever was. And he is one of the most underrated and superbly skilled guitar players out there. Of course, his songwriting is the only thing that surpasses his voice and guitar work. He is frequently compared to Lennon and McCartney for a very good reason.
Several songs from Intriguer made the cut including the excellent "Archer's Arrows" and "Either Side Of The World." Strangely, the lead-off single from the album, "Saturday Sun," was left off the set list. Neil was in top form, even bopping up and down on some songs and having a fantastically enjoyable time - as did all bandmates (bassist Nick Seymour, multi-instrumentalist Mark Hart, and drummer Matt Sherrod). Always smiling, joking, and laughing, these guys love playing together and it shows.
At one point, it appeared that Neil had the wrong guitar. To kill some time, Mark Hart sang a soulful and bluesy version of CCR's "Born On The Bayou" (definitely an ode to that whole House of Blues thing).
Neil is also one of the best at banter and is funny as hell. He had been sporting a not-so-excellent mustache for the past couple months and was clean-shaven on this evening. Between songs, a fan yelled, "Thanks for shaving!" To which Neil replied, "Thanks for shaving? Have you not learned anything from me over the years? The mustache is back on Monday morning!"
It was evident that the packed house was packed with serious CH fans. On most songs, the foursome was accompanied by a roomful of voices, not missing a word. Finn is famous for his call-and-response moments. And he always tells the crowd that they sounded beautiful.
After a rousing and rocking performance, the boys returned for a fantastic encore. On the stage was a rolled up poster. Neil picked it up, read it, then showed it to the fans. It read, "PLEASE PLAY ONE STEP AHEAD." This was a song from his days with brother Tim Finn's group Split Enz. He then said, "Let's put it to a vote...I'll play the beginning guitar parts from "One Step Ahead" and "I Got You" (another Split Enz tune). He played, the fans voted, and "I Got You" won it. Not before, though, Mark Hart whispered something in Neil's ear. Neil then announced that it was Rodney's birthday and Rodney likes that song (Rodney is on the CH crew). The band then ripped through a scorching version of "I Got You." It was surely the most scorching and excellent version of that song ever played.
As Crowded House passed the two-hour mark and were deep into the encore set, Neil looked to his left and exclaimed, "There he is!" He then asked the audience if they would like to meet his Dad, to which we all responded with cheers and applause. Neil walked over, picked up a laptop, and brought it back to center stage. "Ladies and gentlemen, Mr. Richard Finn." And there was his old man, waving at us on that laptop screen, all the way from Auckland, New Zealand. Neil was grinning from ear to ear. Mr. Finn then, peering out over the crowd, said "Looks to be 20-30 people there!" Neil simultaneously smiled, blushed, and beamed with pride. As the beginning notes of the final song were played, Neil said, "This one's for you, Dad." "Better Be Home Soon" was that song.
For the average fan in attendance, initiation was at hand. For the die-hard fan, this night was glorious and could never be repeated. One can dream, though.
Fellow New Zealanders Lawrence Arabia opened the show and complemented the headliners nicely. What started off like country rock (a tad Wilco-ish) turned poppy, and the quintet really heated the place up. Their single "Apple Pie Bed" fell somewhere between the Crowded House and Squeeze sound and was an audience favorite.
Members of the band, along with Eliza-Jane Barnes (who records and tours with Neil's son Liam) were also onstage to nail "Weather With You."
Set List:
I Feel Possessed
Mean To Me
Twice If You're Lucky
Either Side Of The World
Don't Stop Now
Fall At Your Feet
It's Only Natural
Whispers And Moans
Isolation
Archer's Arrows
Chocolate Cake
Elephants
Born On The Bayou
Nails In My Feet
Hole In The River
Don't Dream It's Over
When You Come
In My Command
Encore
Four Seasons In One Day
Locked Out
I Got You
Weather With You
Better Be Home Soon
Monday, August 16, 2010
Atlanta welcomes back Crowded House
Live Show Review: Crowded House at the Tabernacle in Atlanta, 8/1/10
Like the Phoenix that rose from the ashes, Crowded House has apparently returned for good. Their 2007 comeback (after a 14-year absence), Time on Earth, proved to be a more mature and deliberate accomplishment than Crowdies had become accustomed to in the eighties and nineties. Now comes the band's sixth studio album, Intriguer. This album continues on the path of maturity, but reaches back to the early days. Just a bit.
Neil Finn and company are once again on the road supporting a new album. The difference is that this seems to be the happiest time in the band’s life. And Neil brought along his son Liam (himself a successful recording artist) and his wife Sharon, who added beautiful harmonies to both Intriguer and this terrific show at the Tabernacle in Atlanta.
Finn opened the show with “I Feel Possessed,” from 1988’s critically acclaimed Temple of Low Men. This excellent selection was a definite crowd pleaser. After another classic (“In My Command”), the band swung into the new album with the first single, “Saturday Sun.” The song is reminiscent of the best Neil Finn has created.
Finn’s voice was even stronger than during their comeback tour in 2007 at this very venue. And once again joined by his son, Liam, who sang on “Silent House,” and “Say That Again.” A true surprise was Finn’s wife, Sharon showing up. Sharon has harmonized with her husband on several songs and sang with the band on the new “Archer’s Arrows” and “Isolation.” Sharon took the stage just after Finn performed a one-man miracle of “Message To My Girl,” the 1983 Split Enz song he wrote for her (“No more empty self possession / Visions swept under the mat / It's no New Year’s resolution, it's more than that”).
A little out-of-the-ordinary moment was when Crowded House performed their first (and arguably best) single, “Don’t Dream It’s Over” in the middle of the show, as opposed to the end of the show. This song has been the signature final song at CH live shows for years. Finn has shaken it up after singing that song live for 25 years. Understandable.
Other highlights included “Distant Sun,” “Whispers And Moans,” “Private Universe,” “Something So Strong,” and “Locked Out.” Finn still pulls the fans in to several sing-alongs for each show. And these sing-alongs are incredible. Everyone in the place knew the words and were able to sing them in perfect harmony. It was a joyous noise. Finn and original CH member Nick Seymour (bass) have been together since the demise of Slit Enz and the birth of Crowded House in 1985. Mark Hart (guitar, keyboards, etc.) has been with the band since the 1993 album Together Alone and drummer Matt Sherrod joined the group permanently for Time On Earth. Sherrod takes what the late, great Paul Hester did and adds some UMPH.
As a collective, this foursome works together like a well-oiled machine. Always smiling and often joking, these guys provided much entertainment aside from the excellent music. Finn has a dry and quick sense of humor. He exhibited that sense of humor when a young lady jumped on stage during the final number, “Better Be Home Soon.” After dancing like a cheerleader possessed for a few seconds, the audience (and surely the cheerleader) fully expected for security to yank her off stage. It didn’t happen. Apparently CH didn’t pay for that level of protection. So, she danced and gyrated throughout the entire song. Finn spontaneously broke into Hot Chocolate's “You Sexy Thing.” And the band followed. So, without letting this moment ruin an otherwise perfect evening, the crowd left the Tabernacle in a great mood.
After years of Lennon/McCartney comparisons, Finn continues to create some of pop/rock’s most listenable and intelligent music. Please Neil, don’t stop now.
Opener Lawrence Arabia, also from New Zealand, warmed up the show nicely with familiar pop hooks and harmonies.
Set List:
I Feel Possessed
In My Command
Saturday Sun
Amsterdam
Four Seasons In One Day
Silent House
Fall At Your Feet
Distant Sun
Either Side Of The World
Twice If You're Lucky
Whispers And Moans
Private Universe / Black And White Boy
Say That Again
Message To My Girl
Archer's Arrows
Isolation
Don't Dream It's Over
Something So Strong
When You Come
Encore:
Locked Out
Fingers Of Love
Weather With You
Not The Girl You Think You Are
Better Be Home Soon / You Sexy Thing
For the Intriguer review, click HERE.
"Don't Dream It's Over" live in Atlanta
Like the Phoenix that rose from the ashes, Crowded House has apparently returned for good. Their 2007 comeback (after a 14-year absence), Time on Earth, proved to be a more mature and deliberate accomplishment than Crowdies had become accustomed to in the eighties and nineties. Now comes the band's sixth studio album, Intriguer. This album continues on the path of maturity, but reaches back to the early days. Just a bit.
Neil Finn and company are once again on the road supporting a new album. The difference is that this seems to be the happiest time in the band’s life. And Neil brought along his son Liam (himself a successful recording artist) and his wife Sharon, who added beautiful harmonies to both Intriguer and this terrific show at the Tabernacle in Atlanta.
Finn opened the show with “I Feel Possessed,” from 1988’s critically acclaimed Temple of Low Men. This excellent selection was a definite crowd pleaser. After another classic (“In My Command”), the band swung into the new album with the first single, “Saturday Sun.” The song is reminiscent of the best Neil Finn has created.
Finn’s voice was even stronger than during their comeback tour in 2007 at this very venue. And once again joined by his son, Liam, who sang on “Silent House,” and “Say That Again.” A true surprise was Finn’s wife, Sharon showing up. Sharon has harmonized with her husband on several songs and sang with the band on the new “Archer’s Arrows” and “Isolation.” Sharon took the stage just after Finn performed a one-man miracle of “Message To My Girl,” the 1983 Split Enz song he wrote for her (“No more empty self possession / Visions swept under the mat / It's no New Year’s resolution, it's more than that”).
A little out-of-the-ordinary moment was when Crowded House performed their first (and arguably best) single, “Don’t Dream It’s Over” in the middle of the show, as opposed to the end of the show. This song has been the signature final song at CH live shows for years. Finn has shaken it up after singing that song live for 25 years. Understandable.
Other highlights included “Distant Sun,” “Whispers And Moans,” “Private Universe,” “Something So Strong,” and “Locked Out.” Finn still pulls the fans in to several sing-alongs for each show. And these sing-alongs are incredible. Everyone in the place knew the words and were able to sing them in perfect harmony. It was a joyous noise. Finn and original CH member Nick Seymour (bass) have been together since the demise of Slit Enz and the birth of Crowded House in 1985. Mark Hart (guitar, keyboards, etc.) has been with the band since the 1993 album Together Alone and drummer Matt Sherrod joined the group permanently for Time On Earth. Sherrod takes what the late, great Paul Hester did and adds some UMPH.
As a collective, this foursome works together like a well-oiled machine. Always smiling and often joking, these guys provided much entertainment aside from the excellent music. Finn has a dry and quick sense of humor. He exhibited that sense of humor when a young lady jumped on stage during the final number, “Better Be Home Soon.” After dancing like a cheerleader possessed for a few seconds, the audience (and surely the cheerleader) fully expected for security to yank her off stage. It didn’t happen. Apparently CH didn’t pay for that level of protection. So, she danced and gyrated throughout the entire song. Finn spontaneously broke into Hot Chocolate's “You Sexy Thing.” And the band followed. So, without letting this moment ruin an otherwise perfect evening, the crowd left the Tabernacle in a great mood.
After years of Lennon/McCartney comparisons, Finn continues to create some of pop/rock’s most listenable and intelligent music. Please Neil, don’t stop now.
Opener Lawrence Arabia, also from New Zealand, warmed up the show nicely with familiar pop hooks and harmonies.
Set List:
I Feel Possessed
In My Command
Saturday Sun
Amsterdam
Four Seasons In One Day
Silent House
Fall At Your Feet
Distant Sun
Either Side Of The World
Twice If You're Lucky
Whispers And Moans
Private Universe / Black And White Boy
Say That Again
Message To My Girl
Archer's Arrows
Isolation
Don't Dream It's Over
Something So Strong
When You Come
Encore:
Locked Out
Fingers Of Love
Weather With You
Not The Girl You Think You Are
Better Be Home Soon / You Sexy Thing
For the Intriguer review, click HERE.
"Don't Dream It's Over" live in Atlanta
Thursday, July 22, 2010
New release finds Crowded House with unfinished business
In 2007, Crowded House fans got an unexpected reunion of their favorite band. After a 13-year hiatus which showed no signs of ending, mainly due to drummer Paul Hester’s suicide in 2005, the band regrouped with a new drummer, a new album, and a sold-out tour. Now CH have proven they’re in it to stay with their upcoming release Intriguer (Concord Records). Back together are Mark Hart on guitar, backing vocals, and whatever else is needed, and bassist/album cover artist Nick Seymour. Drummer Matt Sherrod has also rejoined the group.
The first single off Intriguer is “Saturday Sun,” and ranks right up there with their best songs in terms of songwriting, sing-a-long potential, and hookworthiness. For the most part, this latest effort exhibits are more mature and subdued Crowded House. All songs, however, showcase head Crowdie Neil Finn’s golden pipes, superb songwriting, and much underrated guitar work (his musical arrangements haven’t been compared to Lennon and McCartney for nothing). On the wonderful “Archer’s Arrows,” Neil is joined by wife Sharon for some terrific harmonizing. In true-to-form Finn style, this one grows from quietness to a crescendo and back with great panache.
With the catchy “Either Side Of The World,” Finn sings, “Either side of the world / Chase the sun / Pay the maximum rate / To feel so lonesome.” It’s always difficult for the average listener to understand how someone so successful (and seemingly surrounded by throngs of supporters) can even mention the word “lonesome.” Finn translates this well and always has. He’s truly a deep thinker and wants us all to join him down there.
On a related note, “Isolation” explores that loneliness again (“There’s always a way / To end this isolation / One step away from everyone / If you could open it up / You could connect it to us / One step is more than enough”). Not sure if Neil is delving inward, or observing another. “Inside Out” embraces a countryish feel, complete with Hart on electric fuzz guitar.
Intriguer is an album for the intelligent music lover. No big explosions or gratuitous sex and violence. Just quality music with a meaning. It’s one of those albums that, after several listens, you find yourself loving it. Just like a great foreign film. With subtitles.
Catch Crowded House on the road this fall and become enlightened (www.crowdedhouse.com or www.frenz.com).
The first single off Intriguer is “Saturday Sun,” and ranks right up there with their best songs in terms of songwriting, sing-a-long potential, and hookworthiness. For the most part, this latest effort exhibits are more mature and subdued Crowded House. All songs, however, showcase head Crowdie Neil Finn’s golden pipes, superb songwriting, and much underrated guitar work (his musical arrangements haven’t been compared to Lennon and McCartney for nothing). On the wonderful “Archer’s Arrows,” Neil is joined by wife Sharon for some terrific harmonizing. In true-to-form Finn style, this one grows from quietness to a crescendo and back with great panache.
With the catchy “Either Side Of The World,” Finn sings, “Either side of the world / Chase the sun / Pay the maximum rate / To feel so lonesome.” It’s always difficult for the average listener to understand how someone so successful (and seemingly surrounded by throngs of supporters) can even mention the word “lonesome.” Finn translates this well and always has. He’s truly a deep thinker and wants us all to join him down there.
On a related note, “Isolation” explores that loneliness again (“There’s always a way / To end this isolation / One step away from everyone / If you could open it up / You could connect it to us / One step is more than enough”). Not sure if Neil is delving inward, or observing another. “Inside Out” embraces a countryish feel, complete with Hart on electric fuzz guitar.
Intriguer is an album for the intelligent music lover. No big explosions or gratuitous sex and violence. Just quality music with a meaning. It’s one of those albums that, after several listens, you find yourself loving it. Just like a great foreign film. With subtitles.
Catch Crowded House on the road this fall and become enlightened (www.crowdedhouse.com or www.frenz.com).
Thursday, May 22, 2008
INTERVIEW: 5 Minutes With Liam Finn
I had the opportunity to speak with Liam Finn after the May 18 show at The Earl in Atlanta. Here’s what he had to say…
Me: During your first two trips to Atlanta as a solo artist, you had a complete drum kit. Tonight, it’s only two drums. Why?
LF: It won’t fit in the car!
Me: How did you like touring with Eddie Vedder on the west coast last month?
LF: It was great.
Me: Did you meet him when your band (Betchadupa) played with him on your dad’s (Neil Finn) “7 Worlds Collide” shows? (A DVD was culled from five shows at the St. James Theatre in Auckland, New Zealand in April 2001.)
LF: No, I’ve known him since I was a kid.
Me: I saw your dad’s solo show here in Atlanta in 1998 and you were with him on guitar…how old were you then?
LF: Fourteen.
Me: Any plans for a new album? EJ told me earlier that it was an “interesting experiment.” Is it interesting because you’ll be collaborating with her, or does that describe how you’re recording it?
LF: That describes how we’re recording it.
Me: I’ll just leave it at that. Any plans to return to Atlanta?
LF: We’ll be back in September.
Me: Where do you want to be in five years?
LF: Hopefully alive!
Me: During your first two trips to Atlanta as a solo artist, you had a complete drum kit. Tonight, it’s only two drums. Why?
LF: It won’t fit in the car!
Me: How did you like touring with Eddie Vedder on the west coast last month?
LF: It was great.
Me: Did you meet him when your band (Betchadupa) played with him on your dad’s (Neil Finn) “7 Worlds Collide” shows? (A DVD was culled from five shows at the St. James Theatre in Auckland, New Zealand in April 2001.)
LF: No, I’ve known him since I was a kid.
Me: I saw your dad’s solo show here in Atlanta in 1998 and you were with him on guitar…how old were you then?
LF: Fourteen.
Me: Any plans for a new album? EJ told me earlier that it was an “interesting experiment.” Is it interesting because you’ll be collaborating with her, or does that describe how you’re recording it?
LF: That describes how we’re recording it.
Me: I’ll just leave it at that. Any plans to return to Atlanta?
LF: We’ll be back in September.
Me: Where do you want to be in five years?
LF: Hopefully alive!
Friday, March 21, 2008
85. LIAM FINN, 3/17/08
Location: The Five Spot, Atlanta, GA
Supporting: The Most Serene Republic and Miracle Fortress
In The Company of: myself
A Spirited Set
The cozy Five Spot in Atlanta’s Little Five Points was host to the Next Big Thing: Mr. Liam Finn. You may recognize the name because he is the firstborn of Neil Finn (Crowded House, Split Enz). Liam possesses the same excellent knack for songwriting and performing as his father, yet has mastered it at 24 years of age. He is also quite a frenetic performer on stage, a trait obviously passed down from uncle Tim Finn. Rolling Stone Magazine called him one of the ten new artists to watch in 2008. The Finn Dynasty seems to be alive and well.
Finn is on tour supporting his first solo release, “I’ll Be Lightning,” after splitting with his rock band Betchadupa. He played a six-song set at the Five Spot as the opener for The Most Serene Republic and Miracle Fortress. But tonight, it’s all about Liam.
Roughly 100 tickets were sold in advance, and several more fans arrived at show time. Finn began his 35-minute set with “Better To Be,” a bouncy track that seemed to awaken the crowd. He is as accomplished on the drums as he is on the guitar. And a fierce and exact player he is on both. Accompanied by the golden-voiced E-J Barnes (daughter of Australian rock legend Jimmy Barnes), Finn would play several chords of a song, record it to loop, then record a second and sometimes third loop. As these guitar solos were meshed together, he jumped on the drum kit and tore it up. Drumming at the speed of light – and sounding good – is a rare thing. He did the work of three or four musicians and had the sweat to prove it.
Next up was “Energy Spent,” which begins with a lovely acoustic guitar and jumpy drums. Then, after Finn and Barnes downed whiskey shots, he broke in to the “Jameson Jam.” This was apparently an ode to the just-swallowed shot. Finn is adept at this type of spontaneity and it occurred throughout his performance creating quite an excellent mood in the room.
Finn’s musical influences range from the Beatles to Elliott Smith. On the title track to “I’ll Be Lightning,” the case is made for the Beatles influence, with a combination of layered harmonies and building tempos strangely reminiscent of “A Day In The Life.”
Before the next song, a fan yelled out “Wise Man!” And Finn instantly began playing that very song…possibly the finest song on the album (“He’s a coloring book that’s been all colored in / what once was fun will later on be boring…”). Next up was the first single from “I’ll Be Lightning” which Finn also performed on Late Night with David Letterman last month, “Second Chance.” This is another selection that uses the guitar loops to set up a very rocking song once Finn jumps on the drums. Many in the crowd knew this song and were singing along.
After thanking Atlanta and more pleas for a whiskey, Finn ended the show with “Lead Balloon,” an all-out jam that was played full-tilt. The crowd got a taste of a creative songsmith who can play from the hip and do it extremely well. Finn must be somewhat familiar with the Little Five Points area. He played drums and guitar while on his father’s solo tour just down the street at the Variety Playhouse back in 1998 when he was only 14. He has definitely become his own person and quite an outstanding musician in his own right.
Supporting: The Most Serene Republic and Miracle Fortress
In The Company of: myself
A Spirited Set
The cozy Five Spot in Atlanta’s Little Five Points was host to the Next Big Thing: Mr. Liam Finn. You may recognize the name because he is the firstborn of Neil Finn (Crowded House, Split Enz). Liam possesses the same excellent knack for songwriting and performing as his father, yet has mastered it at 24 years of age. He is also quite a frenetic performer on stage, a trait obviously passed down from uncle Tim Finn. Rolling Stone Magazine called him one of the ten new artists to watch in 2008. The Finn Dynasty seems to be alive and well.
Finn is on tour supporting his first solo release, “I’ll Be Lightning,” after splitting with his rock band Betchadupa. He played a six-song set at the Five Spot as the opener for The Most Serene Republic and Miracle Fortress. But tonight, it’s all about Liam.
Roughly 100 tickets were sold in advance, and several more fans arrived at show time. Finn began his 35-minute set with “Better To Be,” a bouncy track that seemed to awaken the crowd. He is as accomplished on the drums as he is on the guitar. And a fierce and exact player he is on both. Accompanied by the golden-voiced E-J Barnes (daughter of Australian rock legend Jimmy Barnes), Finn would play several chords of a song, record it to loop, then record a second and sometimes third loop. As these guitar solos were meshed together, he jumped on the drum kit and tore it up. Drumming at the speed of light – and sounding good – is a rare thing. He did the work of three or four musicians and had the sweat to prove it.
Next up was “Energy Spent,” which begins with a lovely acoustic guitar and jumpy drums. Then, after Finn and Barnes downed whiskey shots, he broke in to the “Jameson Jam.” This was apparently an ode to the just-swallowed shot. Finn is adept at this type of spontaneity and it occurred throughout his performance creating quite an excellent mood in the room.
Finn’s musical influences range from the Beatles to Elliott Smith. On the title track to “I’ll Be Lightning,” the case is made for the Beatles influence, with a combination of layered harmonies and building tempos strangely reminiscent of “A Day In The Life.”
Before the next song, a fan yelled out “Wise Man!” And Finn instantly began playing that very song…possibly the finest song on the album (“He’s a coloring book that’s been all colored in / what once was fun will later on be boring…”). Next up was the first single from “I’ll Be Lightning” which Finn also performed on Late Night with David Letterman last month, “Second Chance.” This is another selection that uses the guitar loops to set up a very rocking song once Finn jumps on the drums. Many in the crowd knew this song and were singing along.
After thanking Atlanta and more pleas for a whiskey, Finn ended the show with “Lead Balloon,” an all-out jam that was played full-tilt. The crowd got a taste of a creative songsmith who can play from the hip and do it extremely well. Finn must be somewhat familiar with the Little Five Points area. He played drums and guitar while on his father’s solo tour just down the street at the Variety Playhouse back in 1998 when he was only 14. He has definitely become his own person and quite an outstanding musician in his own right.
Friday, February 22, 2008
MUSIC REVIEW: Liam Finn, "I'll Be Lightning"
2008, Roundhead Music
Some things are just meant to be. For example, Liam Finn was meant to create a musical career for himself. Forget about his place in the Finn Dynasty. He can confidently stand on his own merits and talents. This is an extraordinary debut release and Finn has been called one of ten new artists to watch in 2008 by Rolling Stone magazine. And from the hundreds of new artists this year, that’s a high honor.
Now for a bit of background for the uninformed: Liam’s dad, Neil Finn, is considered one of his generation’s most talented singer/songwriters, creating music reminiscent of the Lennon/McCartney era. And the Beatles influence has always been prominent in the elder Finn’s music, focusing on exquisite, harmonizing vocals, witty and intelligent songwriting, and a wicked guitar sense, which is often overlooked and overshadowed by the music as a whole in his songs. Neil joined his big brother Tim Finn as singer with the Split Enz in the late seventies and brought a pop sensibility to the group, bringing them a broader audience with such songs as “One Step Ahead” and “I Got You.” After the Enz disbanded in the early eighties, Neil got together with late drummer Paul Hester and bassist Nick Seymour to form Crowded House. They went on to great success, releasing four gems throughout the eighties and early nineties.
Enough about the old man. The stage is now set for the next generation… Liam Finn’s I’ll Be Lightning is a folksy, melodic prize for listeners who demand top-notch songwriting, singing, and music. Besides a buddy from former group Betchadupa playing drums on a handful of songs and Dad playing bass on one, Liam plays every instrument. Maybe not such an amazing accomplishment since this son has been surrounded by great music his entire life. In concert, Liam is a one-man show, using a looping recorder to lay down guitar tracks, then frantically jumping on the drums. If you didn’t see it with your own two eyes, you would think it was a three- or four-piece rock band, sounding quite awesome. Liam opened for the reunited Crowded House world tour in 2007. After his amazing - but painfully short - opening set, he showed up for most of the CH show, playing guitar and singing back-up vocals. He was a perfect fit.
After an impressive opening song in “Better To Be,” Lightning’s first single, “Second Chance” is a softly building pop masterpiece (“Remember me…honestly I don’t remember who you are”). At about 1:45 into the song, the drums kick in high gear and the song begins to rock. Just the right touch of harmonies and hooks make this a keeper.
“Gather To The Chapel” takes you to that special place. It’s comfort food for the ears with heaping helpings of superbly crafted harmonies (all voices belonging to Liam). “Lead Balloon” hits the ground running with a great backbeat and guitars not shy on the distortion and feedback. Again, Liam pours on the vocal harmonies making this another rich selection (“It’s a sad day when it comes to this, but a free man is a happy man/Walk home and reminisce, you were the highlight of the party…”). He proves he’s got the mettle to seamlessly go from soft, beautiful melodies to downright rock and roll. On “Lullaby,” Liam sings, “try to slow your heart, try to clear your head, night is just the day giving in.” Lucky listeners can enjoy music that is on par with the intelligent lyrics. On some songs, that Beatles influence is heard again. I’ll Be Lightning is a sincere, sometimes folksy album possessing great beauty.
Track for track, this record never fails to satisfy and is an incredible debut. With a slot on Letterman and quickly gaining worldwide exposure, the new Mr. Finn is likely to grace our presence for many years to come. One can only hope.
Some things are just meant to be. For example, Liam Finn was meant to create a musical career for himself. Forget about his place in the Finn Dynasty. He can confidently stand on his own merits and talents. This is an extraordinary debut release and Finn has been called one of ten new artists to watch in 2008 by Rolling Stone magazine. And from the hundreds of new artists this year, that’s a high honor.
Now for a bit of background for the uninformed: Liam’s dad, Neil Finn, is considered one of his generation’s most talented singer/songwriters, creating music reminiscent of the Lennon/McCartney era. And the Beatles influence has always been prominent in the elder Finn’s music, focusing on exquisite, harmonizing vocals, witty and intelligent songwriting, and a wicked guitar sense, which is often overlooked and overshadowed by the music as a whole in his songs. Neil joined his big brother Tim Finn as singer with the Split Enz in the late seventies and brought a pop sensibility to the group, bringing them a broader audience with such songs as “One Step Ahead” and “I Got You.” After the Enz disbanded in the early eighties, Neil got together with late drummer Paul Hester and bassist Nick Seymour to form Crowded House. They went on to great success, releasing four gems throughout the eighties and early nineties.
Enough about the old man. The stage is now set for the next generation… Liam Finn’s I’ll Be Lightning is a folksy, melodic prize for listeners who demand top-notch songwriting, singing, and music. Besides a buddy from former group Betchadupa playing drums on a handful of songs and Dad playing bass on one, Liam plays every instrument. Maybe not such an amazing accomplishment since this son has been surrounded by great music his entire life. In concert, Liam is a one-man show, using a looping recorder to lay down guitar tracks, then frantically jumping on the drums. If you didn’t see it with your own two eyes, you would think it was a three- or four-piece rock band, sounding quite awesome. Liam opened for the reunited Crowded House world tour in 2007. After his amazing - but painfully short - opening set, he showed up for most of the CH show, playing guitar and singing back-up vocals. He was a perfect fit.
After an impressive opening song in “Better To Be,” Lightning’s first single, “Second Chance” is a softly building pop masterpiece (“Remember me…honestly I don’t remember who you are”). At about 1:45 into the song, the drums kick in high gear and the song begins to rock. Just the right touch of harmonies and hooks make this a keeper.
“Gather To The Chapel” takes you to that special place. It’s comfort food for the ears with heaping helpings of superbly crafted harmonies (all voices belonging to Liam). “Lead Balloon” hits the ground running with a great backbeat and guitars not shy on the distortion and feedback. Again, Liam pours on the vocal harmonies making this another rich selection (“It’s a sad day when it comes to this, but a free man is a happy man/Walk home and reminisce, you were the highlight of the party…”). He proves he’s got the mettle to seamlessly go from soft, beautiful melodies to downright rock and roll. On “Lullaby,” Liam sings, “try to slow your heart, try to clear your head, night is just the day giving in.” Lucky listeners can enjoy music that is on par with the intelligent lyrics. On some songs, that Beatles influence is heard again. I’ll Be Lightning is a sincere, sometimes folksy album possessing great beauty.
Track for track, this record never fails to satisfy and is an incredible debut. With a slot on Letterman and quickly gaining worldwide exposure, the new Mr. Finn is likely to grace our presence for many years to come. One can only hope.
Sunday, November 11, 2007
79. CROWDED HOUSE, 9/12/07
Location: The Tabernacle, Atlanta, GA
Support act(s): Pete Yorn, Liam Finn
In the company of: Chris
The first time I saw Crowded House live was in Kansas City 20 years ago. They were touring supporting their first album after the break-up of Split Enz. I won tickets to a Bruce Hornsby and the Range show through a local radio station. Crowded House was the opening act, and I became a fan for life that night.
This just so happened to be the same year I would meet my future bride, who later became a fan as well. I've heard it said that music is the soundtrack of our lives. Crowded House songs fill my soundtrack.
So, this concert was special. It took place at the Tabernacle in Atlanta. Opening the show was the son of CH frontman Neil Finn, Liam. He is in the process of releasing his first solo record and treated the sold out crowd to five or six songs. This 23 year-old was amazing. Out there all alone, he was very impressive. Look for his record in January called I'll Be Lightning.
Next up was Pete Yorn. Now, if you're not familiar with his music, I suggest you get familiar. He rocked. I mean, four guitars...need I say more? A few memorable tunes were "Life on a Chain," "Black," and "For Nancy." Check him out.
Crowded House walked onstage with their new drummer who replaces Paul Hester after he took his own life in 2005. The last time we saw them was during their final tour in 1994. That night in Atlanta was Paul Hester's very last night as a member of the band (one of the best concerts ever). He was leaving the band for unspecified personal reasons.
Back to present day. They opened with "There Goes God" and continued playing a total of 2 1/2 hours, including two encores. The grand finale was "Don't Dream It's Over," which seemed to never end, due to much audience participation. In between the opening and closing songs, the band created terrific music, clearly showcasing Neil's penchant for Beatle-esque sounds. He even jumped into Cat Stevens' Wild World and the band joined in. One of many special moments.
Another moment was just after Neil said, "I'm feeling a strong presence in this room tonight," and then played "Italian Plastic," a song written by Hester.
The band played five songs from their new release Time On Earth, including "Silent House" (which Neil co-wrote with the Dixie Chicks, who also recorded it). The older tune "Better Be Home Soon" was an extended version with much audience sing-alongs and help from Pete Yorn and Co. Son Liam was onstage with dad for much of the show, as well.
Basically, every song was a highlight for me. Definite standouts, though, were "In My Command," "Whispers and Moans," and "Hole in the River." For me, Crowded House was/is a most painfully underrated band. They possess what I refer to as the trifecta: top-notch lyrics/vocals/musicianship. Not many bands go three for three. It still amazes me when I run into those who say, "Who's Crowded House?"
Rumor has it they're heading back into the studio the first of the year. Let the soundtrack continue.
Support act(s): Pete Yorn, Liam Finn
In the company of: Chris
The first time I saw Crowded House live was in Kansas City 20 years ago. They were touring supporting their first album after the break-up of Split Enz. I won tickets to a Bruce Hornsby and the Range show through a local radio station. Crowded House was the opening act, and I became a fan for life that night.
This just so happened to be the same year I would meet my future bride, who later became a fan as well. I've heard it said that music is the soundtrack of our lives. Crowded House songs fill my soundtrack.
So, this concert was special. It took place at the Tabernacle in Atlanta. Opening the show was the son of CH frontman Neil Finn, Liam. He is in the process of releasing his first solo record and treated the sold out crowd to five or six songs. This 23 year-old was amazing. Out there all alone, he was very impressive. Look for his record in January called I'll Be Lightning.
Next up was Pete Yorn. Now, if you're not familiar with his music, I suggest you get familiar. He rocked. I mean, four guitars...need I say more? A few memorable tunes were "Life on a Chain," "Black," and "For Nancy." Check him out.
Crowded House walked onstage with their new drummer who replaces Paul Hester after he took his own life in 2005. The last time we saw them was during their final tour in 1994. That night in Atlanta was Paul Hester's very last night as a member of the band (one of the best concerts ever). He was leaving the band for unspecified personal reasons.
Back to present day. They opened with "There Goes God" and continued playing a total of 2 1/2 hours, including two encores. The grand finale was "Don't Dream It's Over," which seemed to never end, due to much audience participation. In between the opening and closing songs, the band created terrific music, clearly showcasing Neil's penchant for Beatle-esque sounds. He even jumped into Cat Stevens' Wild World and the band joined in. One of many special moments.
Another moment was just after Neil said, "I'm feeling a strong presence in this room tonight," and then played "Italian Plastic," a song written by Hester.
The band played five songs from their new release Time On Earth, including "Silent House" (which Neil co-wrote with the Dixie Chicks, who also recorded it). The older tune "Better Be Home Soon" was an extended version with much audience sing-alongs and help from Pete Yorn and Co. Son Liam was onstage with dad for much of the show, as well.
Basically, every song was a highlight for me. Definite standouts, though, were "In My Command," "Whispers and Moans," and "Hole in the River." For me, Crowded House was/is a most painfully underrated band. They possess what I refer to as the trifecta: top-notch lyrics/vocals/musicianship. Not many bands go three for three. It still amazes me when I run into those who say, "Who's Crowded House?"
Rumor has it they're heading back into the studio the first of the year. Let the soundtrack continue.
54. CROWDED HOUSE, 4/14/94
Location: Roxy Theatre, Atlanta, GA
Support act(s): Sheryl Crow
In the company of: Chris
My humble opinion in review form to follow...
Support act(s): Sheryl Crow
In the company of: Chris
My humble opinion in review form to follow...
Saturday, November 10, 2007
30. BRUCE HORNSBY AND THE RANGE, 3/7/87
Location: Memorial Hall, Kansas City, MO
Support act(s): Crowded House
In the company of: Britt E.
My humble opinion in review form to follow...
Support act(s): Crowded House
In the company of: Britt E.
My humble opinion in review form to follow...
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