Location: The Variety Playhouse, Atlanta, GA
Supporting Act(s): Ari Hest
In The Company of: Chris
Review to follow...
Friday, March 21, 2008
85. LIAM FINN, 3/17/08
Location: The Five Spot, Atlanta, GA
Supporting: The Most Serene Republic and Miracle Fortress
In The Company of: myself
A Spirited Set
The cozy Five Spot in Atlanta’s Little Five Points was host to the Next Big Thing: Mr. Liam Finn. You may recognize the name because he is the firstborn of Neil Finn (Crowded House, Split Enz). Liam possesses the same excellent knack for songwriting and performing as his father, yet has mastered it at 24 years of age. He is also quite a frenetic performer on stage, a trait obviously passed down from uncle Tim Finn. Rolling Stone Magazine called him one of the ten new artists to watch in 2008. The Finn Dynasty seems to be alive and well.
Finn is on tour supporting his first solo release, “I’ll Be Lightning,” after splitting with his rock band Betchadupa. He played a six-song set at the Five Spot as the opener for The Most Serene Republic and Miracle Fortress. But tonight, it’s all about Liam.
Roughly 100 tickets were sold in advance, and several more fans arrived at show time. Finn began his 35-minute set with “Better To Be,” a bouncy track that seemed to awaken the crowd. He is as accomplished on the drums as he is on the guitar. And a fierce and exact player he is on both. Accompanied by the golden-voiced E-J Barnes (daughter of Australian rock legend Jimmy Barnes), Finn would play several chords of a song, record it to loop, then record a second and sometimes third loop. As these guitar solos were meshed together, he jumped on the drum kit and tore it up. Drumming at the speed of light – and sounding good – is a rare thing. He did the work of three or four musicians and had the sweat to prove it.
Next up was “Energy Spent,” which begins with a lovely acoustic guitar and jumpy drums. Then, after Finn and Barnes downed whiskey shots, he broke in to the “Jameson Jam.” This was apparently an ode to the just-swallowed shot. Finn is adept at this type of spontaneity and it occurred throughout his performance creating quite an excellent mood in the room.
Finn’s musical influences range from the Beatles to Elliott Smith. On the title track to “I’ll Be Lightning,” the case is made for the Beatles influence, with a combination of layered harmonies and building tempos strangely reminiscent of “A Day In The Life.”
Before the next song, a fan yelled out “Wise Man!” And Finn instantly began playing that very song…possibly the finest song on the album (“He’s a coloring book that’s been all colored in / what once was fun will later on be boring…”). Next up was the first single from “I’ll Be Lightning” which Finn also performed on Late Night with David Letterman last month, “Second Chance.” This is another selection that uses the guitar loops to set up a very rocking song once Finn jumps on the drums. Many in the crowd knew this song and were singing along.
After thanking Atlanta and more pleas for a whiskey, Finn ended the show with “Lead Balloon,” an all-out jam that was played full-tilt. The crowd got a taste of a creative songsmith who can play from the hip and do it extremely well. Finn must be somewhat familiar with the Little Five Points area. He played drums and guitar while on his father’s solo tour just down the street at the Variety Playhouse back in 1998 when he was only 14. He has definitely become his own person and quite an outstanding musician in his own right.
Supporting: The Most Serene Republic and Miracle Fortress
In The Company of: myself
A Spirited Set
The cozy Five Spot in Atlanta’s Little Five Points was host to the Next Big Thing: Mr. Liam Finn. You may recognize the name because he is the firstborn of Neil Finn (Crowded House, Split Enz). Liam possesses the same excellent knack for songwriting and performing as his father, yet has mastered it at 24 years of age. He is also quite a frenetic performer on stage, a trait obviously passed down from uncle Tim Finn. Rolling Stone Magazine called him one of the ten new artists to watch in 2008. The Finn Dynasty seems to be alive and well.
Finn is on tour supporting his first solo release, “I’ll Be Lightning,” after splitting with his rock band Betchadupa. He played a six-song set at the Five Spot as the opener for The Most Serene Republic and Miracle Fortress. But tonight, it’s all about Liam.
Roughly 100 tickets were sold in advance, and several more fans arrived at show time. Finn began his 35-minute set with “Better To Be,” a bouncy track that seemed to awaken the crowd. He is as accomplished on the drums as he is on the guitar. And a fierce and exact player he is on both. Accompanied by the golden-voiced E-J Barnes (daughter of Australian rock legend Jimmy Barnes), Finn would play several chords of a song, record it to loop, then record a second and sometimes third loop. As these guitar solos were meshed together, he jumped on the drum kit and tore it up. Drumming at the speed of light – and sounding good – is a rare thing. He did the work of three or four musicians and had the sweat to prove it.
Next up was “Energy Spent,” which begins with a lovely acoustic guitar and jumpy drums. Then, after Finn and Barnes downed whiskey shots, he broke in to the “Jameson Jam.” This was apparently an ode to the just-swallowed shot. Finn is adept at this type of spontaneity and it occurred throughout his performance creating quite an excellent mood in the room.
Finn’s musical influences range from the Beatles to Elliott Smith. On the title track to “I’ll Be Lightning,” the case is made for the Beatles influence, with a combination of layered harmonies and building tempos strangely reminiscent of “A Day In The Life.”
Before the next song, a fan yelled out “Wise Man!” And Finn instantly began playing that very song…possibly the finest song on the album (“He’s a coloring book that’s been all colored in / what once was fun will later on be boring…”). Next up was the first single from “I’ll Be Lightning” which Finn also performed on Late Night with David Letterman last month, “Second Chance.” This is another selection that uses the guitar loops to set up a very rocking song once Finn jumps on the drums. Many in the crowd knew this song and were singing along.
After thanking Atlanta and more pleas for a whiskey, Finn ended the show with “Lead Balloon,” an all-out jam that was played full-tilt. The crowd got a taste of a creative songsmith who can play from the hip and do it extremely well. Finn must be somewhat familiar with the Little Five Points area. He played drums and guitar while on his father’s solo tour just down the street at the Variety Playhouse back in 1998 when he was only 14. He has definitely become his own person and quite an outstanding musician in his own right.
84. THEY MIGHT BE GIANTS, 3/15/08
Location: The Variety Playhouse, Atlanta, GA
Supporting Act(s): none
In the Company of: Mi Familia
One look at the crowd on this Saturday afternoon inside Atlanta's Variety Playhouse would convince an onlooker that Barney was in town. Or the Wiggles. This could not be further from the truth. It was a special family show presented by the quirky
alternative rock group straight outta Brooklyn called They Might Be Giants.
Although John Flansburgh and John Linnell never expected to have such a young cult following during their formation back in the early eighties, it has happened. With a one-off, just-for-fun project in 2002 entitled "No!" they reached a demographic that very few rock groups ever consider reaching: the toddler to pre-teen crowd. TMBG pioneered the Dial-A-Song self-promotion in which listeners would call a number and hear a different song each time. This before any record deal was struck.
Since "No!" was released, TMBG has released two additional kid-oriented CD/DVD packages entitled "Here Come the ABCs" and "Here Come the 123s." Both have made the two Johns much richer and brought intelligent, grown-up style rock to the little people.
When attending a great concert, it is usually required to stand in order to see over the crowd in front. This was especially true due to the dozens of dads with kids on their shoulders. It was a sight to see and hear, with parents joyfully singing along to the same songs as their young-uns. In this election year, a truly bipartisan experience was unfolding.
Other songs which were aimed directly at the underage crowd were, “No!” “In The Middle, In The Middle, In The Middle,” and “I Am Not Your Broom,” accompanied by the comedy stylings of Homestar the puppet. TMBG also rocked out with “Alphabet of Nations,” “E Eats Everything,” and the awesome “Robot Parade.”
They also reached back into the stuff that made them famous which was a grand treat for all the parents. Songs like, “Birdhouse In Your Soul,” “Boss of Me” (better known as the theme from the TV show “Malcolm in the Middle”), and “Particle Man.” The band’s transition from adult alternative to accessible kids was not such a stretch. It was possibly brought about by their educationally-tinged material, which luckily was played at the show. Along with “Alphabet Of Nations,” they included the rocking “Why Does The Sun Shine? (The Sun Is A Mass Of Incandescent Gas)” and “Istanbul (Not Constantinople)” as the closer.
Towards the end of the performance, John and/or John informed the crowd that they were going to play their favorite song. It was “Doctor Worm,” a great selection that can hold its own against most pop songs out there. Another great one from the vault was the raucous, accordian-lead instrumental “The Famous Polka.”
Parents spend a lifetime trying to acquire and maintain that special bond with their children. An experience like a They Might Be Giants show is a perfect way to do it.
Supporting Act(s): none
In the Company of: Mi Familia
One look at the crowd on this Saturday afternoon inside Atlanta's Variety Playhouse would convince an onlooker that Barney was in town. Or the Wiggles. This could not be further from the truth. It was a special family show presented by the quirky
alternative rock group straight outta Brooklyn called They Might Be Giants.
Although John Flansburgh and John Linnell never expected to have such a young cult following during their formation back in the early eighties, it has happened. With a one-off, just-for-fun project in 2002 entitled "No!" they reached a demographic that very few rock groups ever consider reaching: the toddler to pre-teen crowd. TMBG pioneered the Dial-A-Song self-promotion in which listeners would call a number and hear a different song each time. This before any record deal was struck.
Since "No!" was released, TMBG has released two additional kid-oriented CD/DVD packages entitled "Here Come the ABCs" and "Here Come the 123s." Both have made the two Johns much richer and brought intelligent, grown-up style rock to the little people.
When attending a great concert, it is usually required to stand in order to see over the crowd in front. This was especially true due to the dozens of dads with kids on their shoulders. It was a sight to see and hear, with parents joyfully singing along to the same songs as their young-uns. In this election year, a truly bipartisan experience was unfolding.
Other songs which were aimed directly at the underage crowd were, “No!” “In The Middle, In The Middle, In The Middle,” and “I Am Not Your Broom,” accompanied by the comedy stylings of Homestar the puppet. TMBG also rocked out with “Alphabet of Nations,” “E Eats Everything,” and the awesome “Robot Parade.”
They also reached back into the stuff that made them famous which was a grand treat for all the parents. Songs like, “Birdhouse In Your Soul,” “Boss of Me” (better known as the theme from the TV show “Malcolm in the Middle”), and “Particle Man.” The band’s transition from adult alternative to accessible kids was not such a stretch. It was possibly brought about by their educationally-tinged material, which luckily was played at the show. Along with “Alphabet Of Nations,” they included the rocking “Why Does The Sun Shine? (The Sun Is A Mass Of Incandescent Gas)” and “Istanbul (Not Constantinople)” as the closer.
Towards the end of the performance, John and/or John informed the crowd that they were going to play their favorite song. It was “Doctor Worm,” a great selection that can hold its own against most pop songs out there. Another great one from the vault was the raucous, accordian-lead instrumental “The Famous Polka.”
Parents spend a lifetime trying to acquire and maintain that special bond with their children. An experience like a They Might Be Giants show is a perfect way to do it.
Saturday, March 8, 2008
Ten Years of the 'Big Lebowski'
The Dude Still Abides
Ever had one of those days when nothing went your way? This was the Dude’s life. At least during the now cult classic “The Big Lebowski.” In Joel and Ethan Coen’s unforgettable and oft-quoted tale of mistaken identity, Jeffrey “The Dude” Lebowski (Jeff Bridges) is beaten by a pair of idiot thugs who have mistaken him for the other Jeffrey Lebowski: the “Big” Lebowski (David Huddleston), a local millionaire. They are looking for his wife, Bunny (Tara Reid), who owes money to a lot of seedy characters. As one thug plunges the Dudes head into the toilet, he asks, “Where’s the money, Lebowski? Bunny says you’re good for it!” The other thug then proceeds to urinate on the Dude’s favorite rug, which is the impetus for the entire movie. The Dude asks the thugs, “Does this place look like I’m f***in’ married? The toilet seat’s up, man!” Clearly, they have the wrong man. Thus begins a journey for the Dude that includes stolen rugs, a severed toe, a lot of White Russians, and a lot more bowling.
The Dude pays a visit to the other Lebowski to get reimbursed for the peed-on rug. The rug that “really tied the room together.” The Big Lebowski wants to hear none of it. He writes the Dude off as a bum looking for a handout and bids him farewell. Later, though, he calls the Dude for help. Bunny has been kidnapped and he needs someone to deliver the million-dollar ransom, thinking Dude may recognize the carpet-peers. They know she’s been kidnapped because the kidnappers have sent the big Lebowski Bunny’s severed pinky toe, green polish and all.
The setting is Los Angeles, 1991. The Dude is a between-jobs slacker with nothing more to do than “…bowl, drive around, and take the occasional acid trip.” His buddies at the alley are Walter Sobchack (John Goodman), a Vietnam War veteran who would sooner kill someone than talk to them and uses a war reference for every situation, and Donny Kerabatsos (Steve Buscemi), who always seems one step behind the conversation and is told endlessly by Walter to “Shut the f*** up, Donny!”
A series of hilarious blunders ensue and there are more memorable moments and quotable lines than in most movies of recent memory. At one point, Walter loses it during a league game at the alley after his opponent crosses the foul line when rolling. When the opponent, Smokey, refuses to take a zero for the frame, Walter pulls out his pistol and points it in Smokey’s face saying, “Mark it zero! Has the whole world gone crazy?” On their way to the car (and as the police are arriving), Dude tells Walter just how shocking his behavior had been, that “those guys are pacifists, like me…Smokey was a conscientious objector!” He told Walter that Smokey had some emotional problems, to which Walter replied, “You mean beyond passivism?”
In a freaky turn, John Turturro plays creepy Latino bowling nemesis Jesus Quintana (pronounced Jesus). He reportedly did six months in prison for exposing himself to an 8-year-old. He continually tells Dude’s team, “I’m gonna f*** you up!” Turturro’s screen time is limited, but he makes a huge impression. In one of the movie’s most memorable scenes, Jesus does a dance to the Gipsy Kings’ Spanish version of the Eagles’ “Hotel California.”
That’s another thing…the F-bomb is dropped an estimated 260 times during “The Big Lebowski.” This may be more than some people can endure. A few critics at the time of release called the language unnecessary and only existing to fill the void where dialogue was missing. This, however, is not the case. One viewing will prove that each and every word in the script is necessary. Nothing should be added or omitted. During a scene in the bowling alley when Dude is talking to The Stranger, a cowboy played by Sam Elliott (Viewers are unsure as to the Stranger’s role in the film. Is he real? Is he a figment of the Dude’s imagination?), the Stranger says to the Dude, “There’s just one thing, Dude…you have to use so many cusswords?” To which the Dude responds, “…the f*** you talkin’ about?”
When German Nihilists get involved with the kidnapping plot, insanity is not far away. They continuously repeat, “We believe in nothing!” When they break into the Dude’s house while he’s bathing and begin to smash his stereo equipment, he yells, “Hey, this is a private residence, man!”
Julianne Moore plays Maude Lebowski, the Big Lebowski’s daughter and an avid feminist. She let’s the Dude know that her father is not really rich, that it was her mother who inherited all that money which has been put into a trust fund. When the Big Lebowski hires Dude to take a million dollars to the kidnappers, the suitcase is empty (he has kept it for himself), making Dude the pawn.
When the Nihilists finally “kill” the Dude’s car, Walter, Donny, and the Dude enter into fisticuffs with the Germans. During all the commotion, Donny suffers a fatal heart attack. When Walter and Dude have Donny cremated, they decide to spread his ashes into the ocean. When Walter opens the Folgers’ coffee can (this is all they could afford), the ashes blow into the Dude’s face, once again proving what a screw-up Walter is.
In the end, Walter’s theory that Bunny kidnapped herself proves to be true. She was never in danger and never lost her toe – that toe belonged to the girlfriend of one of the Nihilists.
The Coen brothers based the character of the Dude on their longtime friend Jeff Dowd. Dowd was a member of the Seattle Seven in the late sixties and early seventies. The group was a radical anti-Vietnam War organization in Seattle. The Dude even references this in the film, saying, “Did you ever hear of the Seattle Seven? That was me…and six other guys.”
Bridges gives the performance of his career, which could almost be autobiographical, as convincing as he is in the role of the Dude. The Coen brothers are at the top of their game as well, in the writing and direction. “The Big Lebowski” opened two years after their Oscar winner “Fargo,” and two years before another winner, “O Brother, Where Art Thou?” At this year’s Academy Awards, the Coens scored big, winning four statues including Best Picture and Best Direction for “No Country For Old Men.” They’ve definitely come a long way from their first feature “Blood Simple” in 1984. “Raising Arizona” has become another cult classic from the Coen brothers, complete with top-notch writing and left-of-center characters.
“The Big Lebowski” features a soundtrack to rival all soundtracks. The original score by Carter Burwell is mesmerizing and gives the movie much of its identity. T-Bone Burnett was the music bibliographer, and did a terrific job by including such artists as Bob Dylan, Kenny Rogers, Elvis Costello, and Moondog.
The movie had a lukewarm reception when it opened on March 6, 1998. The budget was $15 million and the movie made just over $17 million. While reviews were mixed, the true Coen brothers fans still appreciate the film’s intelligence and eccentric, twisted sense of humor. In 2002, fans began an annual ritual to honor “The Big Lebowski” with the Lebowski Fest in Louisville, Kentucky. The Fest has since expanded to several cities and the Dude lives on in the hearts and minds of slackers and movie buffs alike. Yes, the Dude definitely abides.
Ever had one of those days when nothing went your way? This was the Dude’s life. At least during the now cult classic “The Big Lebowski.” In Joel and Ethan Coen’s unforgettable and oft-quoted tale of mistaken identity, Jeffrey “The Dude” Lebowski (Jeff Bridges) is beaten by a pair of idiot thugs who have mistaken him for the other Jeffrey Lebowski: the “Big” Lebowski (David Huddleston), a local millionaire. They are looking for his wife, Bunny (Tara Reid), who owes money to a lot of seedy characters. As one thug plunges the Dudes head into the toilet, he asks, “Where’s the money, Lebowski? Bunny says you’re good for it!” The other thug then proceeds to urinate on the Dude’s favorite rug, which is the impetus for the entire movie. The Dude asks the thugs, “Does this place look like I’m f***in’ married? The toilet seat’s up, man!” Clearly, they have the wrong man. Thus begins a journey for the Dude that includes stolen rugs, a severed toe, a lot of White Russians, and a lot more bowling.
The Dude pays a visit to the other Lebowski to get reimbursed for the peed-on rug. The rug that “really tied the room together.” The Big Lebowski wants to hear none of it. He writes the Dude off as a bum looking for a handout and bids him farewell. Later, though, he calls the Dude for help. Bunny has been kidnapped and he needs someone to deliver the million-dollar ransom, thinking Dude may recognize the carpet-peers. They know she’s been kidnapped because the kidnappers have sent the big Lebowski Bunny’s severed pinky toe, green polish and all.
The setting is Los Angeles, 1991. The Dude is a between-jobs slacker with nothing more to do than “…bowl, drive around, and take the occasional acid trip.” His buddies at the alley are Walter Sobchack (John Goodman), a Vietnam War veteran who would sooner kill someone than talk to them and uses a war reference for every situation, and Donny Kerabatsos (Steve Buscemi), who always seems one step behind the conversation and is told endlessly by Walter to “Shut the f*** up, Donny!”
A series of hilarious blunders ensue and there are more memorable moments and quotable lines than in most movies of recent memory. At one point, Walter loses it during a league game at the alley after his opponent crosses the foul line when rolling. When the opponent, Smokey, refuses to take a zero for the frame, Walter pulls out his pistol and points it in Smokey’s face saying, “Mark it zero! Has the whole world gone crazy?” On their way to the car (and as the police are arriving), Dude tells Walter just how shocking his behavior had been, that “those guys are pacifists, like me…Smokey was a conscientious objector!” He told Walter that Smokey had some emotional problems, to which Walter replied, “You mean beyond passivism?”
In a freaky turn, John Turturro plays creepy Latino bowling nemesis Jesus Quintana (pronounced Jesus). He reportedly did six months in prison for exposing himself to an 8-year-old. He continually tells Dude’s team, “I’m gonna f*** you up!” Turturro’s screen time is limited, but he makes a huge impression. In one of the movie’s most memorable scenes, Jesus does a dance to the Gipsy Kings’ Spanish version of the Eagles’ “Hotel California.”
That’s another thing…the F-bomb is dropped an estimated 260 times during “The Big Lebowski.” This may be more than some people can endure. A few critics at the time of release called the language unnecessary and only existing to fill the void where dialogue was missing. This, however, is not the case. One viewing will prove that each and every word in the script is necessary. Nothing should be added or omitted. During a scene in the bowling alley when Dude is talking to The Stranger, a cowboy played by Sam Elliott (Viewers are unsure as to the Stranger’s role in the film. Is he real? Is he a figment of the Dude’s imagination?), the Stranger says to the Dude, “There’s just one thing, Dude…you have to use so many cusswords?” To which the Dude responds, “…the f*** you talkin’ about?”
When German Nihilists get involved with the kidnapping plot, insanity is not far away. They continuously repeat, “We believe in nothing!” When they break into the Dude’s house while he’s bathing and begin to smash his stereo equipment, he yells, “Hey, this is a private residence, man!”
Julianne Moore plays Maude Lebowski, the Big Lebowski’s daughter and an avid feminist. She let’s the Dude know that her father is not really rich, that it was her mother who inherited all that money which has been put into a trust fund. When the Big Lebowski hires Dude to take a million dollars to the kidnappers, the suitcase is empty (he has kept it for himself), making Dude the pawn.
When the Nihilists finally “kill” the Dude’s car, Walter, Donny, and the Dude enter into fisticuffs with the Germans. During all the commotion, Donny suffers a fatal heart attack. When Walter and Dude have Donny cremated, they decide to spread his ashes into the ocean. When Walter opens the Folgers’ coffee can (this is all they could afford), the ashes blow into the Dude’s face, once again proving what a screw-up Walter is.
In the end, Walter’s theory that Bunny kidnapped herself proves to be true. She was never in danger and never lost her toe – that toe belonged to the girlfriend of one of the Nihilists.
The Coen brothers based the character of the Dude on their longtime friend Jeff Dowd. Dowd was a member of the Seattle Seven in the late sixties and early seventies. The group was a radical anti-Vietnam War organization in Seattle. The Dude even references this in the film, saying, “Did you ever hear of the Seattle Seven? That was me…and six other guys.”
Bridges gives the performance of his career, which could almost be autobiographical, as convincing as he is in the role of the Dude. The Coen brothers are at the top of their game as well, in the writing and direction. “The Big Lebowski” opened two years after their Oscar winner “Fargo,” and two years before another winner, “O Brother, Where Art Thou?” At this year’s Academy Awards, the Coens scored big, winning four statues including Best Picture and Best Direction for “No Country For Old Men.” They’ve definitely come a long way from their first feature “Blood Simple” in 1984. “Raising Arizona” has become another cult classic from the Coen brothers, complete with top-notch writing and left-of-center characters.
“The Big Lebowski” features a soundtrack to rival all soundtracks. The original score by Carter Burwell is mesmerizing and gives the movie much of its identity. T-Bone Burnett was the music bibliographer, and did a terrific job by including such artists as Bob Dylan, Kenny Rogers, Elvis Costello, and Moondog.
The movie had a lukewarm reception when it opened on March 6, 1998. The budget was $15 million and the movie made just over $17 million. While reviews were mixed, the true Coen brothers fans still appreciate the film’s intelligence and eccentric, twisted sense of humor. In 2002, fans began an annual ritual to honor “The Big Lebowski” with the Lebowski Fest in Louisville, Kentucky. The Fest has since expanded to several cities and the Dude lives on in the hearts and minds of slackers and movie buffs alike. Yes, the Dude definitely abides.
Subscribe to:
Posts (Atom)